The Scene Walk

Every scene in every hour, in telling order — Jesse’s sections as the spine, our polarity and vector layers read alongside. A coloured rail bands a run of scenes into one sequence. Scarlet marks what’s broken or waiting on a capture. Internal only.

+ toward · against · 0 neutral · ± both at once

JH · 2026-08-20

Mystery ladder one man, a small group, and the system PROPOSED SERIES THESIS, NOT YET A QUOTE: It was one man. It was also a small group of other men who listened to him, followed him and did not question him. And it was institutions that repeatedly made room for them, accepted their explanations, redirected responsibility or failed to stop them. This is not a choice between Bowman and "the system." The system cannot become an abstraction that washes away individual decisions, and Bowman cannot become a single-villain explanation that washes away forty years of permission.

JH · 2026-08-20

Seed the breakthroughs. Greg Bowman surfaced through a wedding registry. Show the process.

JH · 2026-08-20

Danbi Circle, anywhere: The one-two that carries it: the circle turn ("I had little to no interest in formal education, dropped out of high school… Fast forward to 15 years later, it was education that saved me,"

What needs attention

hunts staged Johanna 10 · Marty Schady 9 · Scott Bowman 12 · Matthew LeFave 8 · Noah Niznick 9drama-scout rows in needs.yaml — staged, never written as if the page has them

Episode 1

The record begins · 23 scenes · 23 turning beats · no attention flags

s01 Cold Open — Queen's Park

flash-forward — the record begins

no vector moves in this unit

recorded elsewhere · flash-forward — e1.cold-open.02 carries same_event: e2.press-conference.01; the presser's moves are stepped at their home (holmes_jarett e2.press-conference.02, pasma_chandra e2.press-conference.08). Ladder point alt 2 sits here (the record begins). No separate step at the flash-forward — it would put a late-story event ahead of Jarett's entry on his fortune line.

beats (3)
  1. 01 Camera shutters, news crews, lav mics fitted to nervous men mid-20s to late-50s — the survivors gathered in the media studio of the Ontario Legislative Building, flanked by MPP Chandra Pasma and a foam board of the faces of the boys and men who died in the school's care. A silent scream.
  2. 02 They are about to go on the record with their years-long, amateur-led investigation. Through Pasma's authority, the news-lede version — decades of child abuse at a military-style academy, shocking rates of early death, a total failure of the justice system, survivors taking matters into their own hands. same event: e2.press-conference.01
  3. 03 Jarett steps to the mic, visibly anxious. As he introduces himself, we hold on one face from the board of the dead — Chris Brown — and cut off him into the season.
+

s02 Act 1 — "Hi, my name's Evan."

the joke lands, then the sentence that starts the show

  • Evan Holmes wants keep the room light — open on the recovery-meeting joke · event the joke lands — "what meeting is this? Oh, shit" — and he turns serious · turn says it out loud — "I'm a survivor of Robert Land Academy" — the mission declared

fixed · the page turns Evan — the recovery-meeting joke lands, then "My name's Evan, and I'm a survivor of Robert Land Academy" — the mission declared. The other five on stage (Ladas, Bowman, Cho, Krys, Longfield) are archival texture and listening faces; no move on them, none authored. · arcs.yaml holmes_evan @ e1.act1-my-names-evan.01 (+1)

JH · 2026-08-20

Evan: "Is it OK if I only tell stories about Saudi Arabia? OK, good." Supercut, 90s home video. A minaret. Evan and Jarett in a taxi, shocks of blue and green hair, smoking cigarettes. The McDonald's sign through the window, in Arabic. Evan on top of Jarett in a basement, pummelling him with his fists, both of them laughing uncontrollably. Back to the circle. "I'm just kidding. OK. Let's see. Where were we." Into "My name's Evan, I'm an alcoholic."

beats (5)
  1. 01 Evan, mid-thought, addresses a room: "My name's Evan, I'm an alcoholic, and I've been sober for — let's see — zero days." He catches himself — "…Oh wait, what meeting is this? Is this the Robert Land group? Oh, shit." — the joke lands, then serious: "My name's Evan, and I'm a survivor of Robert Land Academy."
  2. 02 The academy through a windshield — Jason Ladas's 1990 home video, almost found-footage horror. From behind the camera: "In the future sometime, I wanna look back at the past to see my teenage-hood… I came here when I was twelve." 1990
  3. 03 Off his shot of the parade square, MATCH CUT — same ground, same framing, present day. The images bridge 35 years.
  4. 04 The room populates around Evan — Danbi Cho, Jon Krys, Ian Longfield — sympathetic faces patiently hearing his narrative.
  5. 05 Over the survivors' reflection, the first voice of the founder: "There have been trials and hard times, times that the future looked bleak."

s03 The Founder

the founder's voice over the men who ran it

no vector moves in this unit

recorded elsewhere · archival portrait — Bowman reads his own ancestor letter over the staff faces; no character enters wanting or leaves turned on the page. The unit's motion is myth altitude: Ladder point alt 2.8 (first contact with the founder's voice).

beats (3)
  1. 01 Archival — Bowman at a podium in a military-style uniform wholly of his own design, reading a letter aloud: "…times that a truly great man told you that you would have to do those things you would rather not do in order to keep the dream alive…this unique and exciting journey called Robert Land Academy." 1985
  2. 02 As he reads, yearbook photos of the men who ran the place — lingering on Bowman himself in a 1987 portrait.
  3. 03 Intercut — Ladas's tape of the front entrance against the present-day survivors confronting the academy in peaceful protest. Off the men standing against the academy, TO BLACK.
0

s04 One Year In

Evan alone, one year in — texts turn conspiratorial; the coroner file eludes him

  • Evan Holmes wants prove what he's found is real, working the case alone · event the texts to Jarett turn strident and conspiratorial — they own everything south of Toronto, they have the Chief of Police in their pocket · turn doubling down on the widest claims, still alone with them
JH · 2026-08-20

Evan's research Chiefs of police and the board. He should find it over the phone. Screenshot the current RLA board members, scroll the cops.

beats (6)
  1. 01 The image returns letterboxed. Evan in Mission, BC. Title over: "September 18, 2024 — one year into Evan's investigation." 2024-09-18
  2. 02 Texts, Evan to Jarett: "Yo. Answer your phone. You would not believe what I've unravelled about Robert Land. How deep it goes. How connected Scott Bowman is."
  3. 03 Tim Hortons window at night — Evan at his laptop, head in hands, Chris Brown's face on the screen. Then the headlines on the deaths of Brown and Matt Toppi, two cadets killed on train tracks in an escape attempt.
  4. 04 The texts turn strident and conspiratorial: "They are VERY very very clever with how they've covered their tracks." / "They own EVERYTHING south of Toronto." / "They have everyone in their pockets, from the Governor General to the Chief of Police."
  5. 05 Evan is building a spreadsheet — family trees, corporate chains, a hand-drawn database schema: "I want to double check all my work."
  6. 06 One piece of evidence keeps eluding him — the autopsy report on the deaths of Brown and Toppi. He texts Jarett: "Need the Coroners Inquiry"
+

s05 The Brothers

the past laid out; ends on the ask — "I need your help"

  • Evan Holmes ▲▲wants get someone — anyone — to actually help him carry this · event he calls Jarett and says he needs his help, that they have to do something about it · turn toward a two-brother investigation — not alone anymore
JH · 2026-08-20

"Then I called you" currently lands as "I couldn't do it so I called you." It was more that Evan was doing it as he could, because he had to do something about it. Soften by editing a line out.

beats (5)
  1. 01 Walk-and-talk through Mission — Evan explains finding the online groups and how the deaths of Brown and Toppi specifically haunted and hooked him.
  2. 02 It circles back to their own experience: "I keep coming back to this concept of learned helplessness — a condition that sets in when there's prolonged abuse and an inability to get the help you need to stop it."
  3. 03 Evan traces their diverging fortunes post-RLA: "Your path went to learning how to make records. And my path went to learning how to make methamphetamines in a super lab for the [REDACTED]."
  4. 04 Why he couldn't leave it alone: "I started peeling back layers of an onion, and I was shocked to find it was still in operation — that there are kids on Reddit saying, oh my God, my parents are sending me there in September."
  5. 05 "And then the question became, what do I do about this?" / "And then I called you and I said, I need your help. We have to do something about this."
+

s06 Act 2 – "We're going to be recording everything from now on."

Jarett in; the brothers' method-conflict forms

  • Jarett Holmes ▲▲wants stay outside it — his own recording-studio life, apart from the investigation · event Evan's year of solo findings and his direct ask for help · turn commits — camera on everything, becomes investigator and documentarian of record by Evan Holmes
beats (4)
  1. 01 Persuaded by his brother's enthusiasm and drive, Jarett engages — his own research, and a camera on everything: "We're going to be recording everything from now on because that's going to be part of the story."
  2. 02 Evan lays out the year no one was helping — org charts and family trees, but also Freemason connections, a missing tax-court ruling in which a judge eviscerates the school's methodology, and staff ties to the scandal-plagued Airborne unit accused of the torture-killing of a teen in Somalia. Provable to a point, conspiracy-heavy thereafter.
  3. 03 The conflict between the brothers forms — one runs with every hunch, the other demands a sourced analysis.
  4. 04 Humorous interlude — Evan tries to "direct" Jarett, who balks at the contrivance; Jarett tries to "direct" Evan, and the footage is awkward, wooden, unusable. Humorous — and the show's visual language coming together in front of us.
+

s07 First Diorama: The Boy With The Broken Legs

the core memory dead-ends — so find the others

  • Jarett Holmes wants solve the broken-legs memory as two brothers alone · event the memory dead-ends — no name for the boy, no name for the staff member, no way in · turn pivots to building a crew — find the others, to corroborate and to tell their own stories
  • Evan Holmes wants solve the broken-legs memory with just the two of them · event the dead end — no names, no way in · turn toward building a crew beyond the two brothers
JH · 2026-08-20

The intake procedure is where the diorama and the magical realism arrive. Bear-claw hands. The audience learns the laws of the memory world here.

JH · 2026-08-20

Niznick and the arrival The brothers interleave their recollections of arrival. The audience gets the intake procedure. Introduction to the world of Robert Land. Jarett arrives. Evan wishing there were some way to get word to his parents not to send him. Niznick screaming.

beats (4)
  1. 01 Jarett recounts his first day — Evan arrived days earlier; Jarett is initiated and commanded to have no contact with his brother; his first morning is filled with the sound of a boy screaming about his broken legs. The diorama motif is introduced.
  2. 02 The wooden recruit building — legs stick out from under a flipped-over bed; boys stand at attention in front of their cots wearing only briefs, shivering, made to stand perfectly still, eyes forward, while the injured cadet screams.
  3. 03 A core memory with nothing to go on — they don't quite remember the student's name, don't have the staff member's name, don't know where to start.
  4. 04 The brothers realize they alone cannot take on such a leviathan. They need to find the others — to corroborate their narratives and to tell their own.
+

s08 The Crew Forms sequence

five recruits, then the fire hose

  • Danbi Cho wants post-RLA life, unconnected to the school or the group · event Jarett messages him — the goal of breaking cycles of trauma · turn in the fight by Jarett Holmes
  • Mike Hauben +the call answering his one-star review by Jarett Holmes, Evan Holmeslone bad review on the internet in the fight
  • Ian Longfield ▲▲wants keep building the case alone, still hoping someone will finally listen · event Jarett's cold email answers within the hour; Ian hands over everything he has · turn leaves the one-man crusade behind — core of a real group now by Jarett Holmes
  • Marty Schady wants posting into a Facebook group, hoping others answer · event the group finds his "power in numbers" post and Jarett video calls him — "I hate that place." · turn in the fight, with his mother Johanna by Jarett Holmes, Ian Longfield
  • Johanna wants her son's fight not to be his alone — the relationship the school took, back · event Jarett calls her — a mother inside the survivors' formation for the first time · turn in the fight with her son — power in numbers now includes a parent
  • Andrew English wants carrying the 1981 CBC memory and the school's failure of duty of care alone, for decades · event Jarett finds him in the old CBC broadcast footage and reaches out · turn becomes a core member of the group by Jarett Holmes, Ian Longfield
JH · 2026-08-20

Hauben Hunting energy into this. The one-star review is funny. It was sitting in front of them the whole time.

beats (7)
  1. 01 Jarett messages the only friend from his time at RLA he's still connected to — Danbi Cho, on the cusp of 40 with a young family, working for the Mastercard Foundation bringing equity to indigenous communities. He immediately says he wants to help.
  2. 02 Evan says they have to contact Mike Hauben, a funny American classmate. They search high and low, only to realize he's hiding in plain sight — a scathing one-star review of the Academy on Google. Jarett video calls him: "RLA really fucked up my life a lot. So let's do this."
  3. 03 Jarett cold-emails Ian Longfield, the YouTuber countering the school's advertising with exhaustive research. Ian answers in less than an hour and hands over everything he has.
  4. 04 Ian points to Marty Schady, who posted a lawyer's name to an RLA Facebook group: "Please contact Matthew Lefave at Preszler Injury lawyers… There is power in numbers!" Jarett video calls Marty — "I hate that place." — and calls his mother Johanna, in the fight with him; his relationship with her is one of the things the school took.
  5. 05 Through Ian, old CBC footage from 1981 — positive press. Jarett reaches one of the cadets in the broadcast, Andrew English, now in his fifties, an armorer for film and television in Vancouver, still traumatized and livid about the school's failure of duty of care. He becomes a core member.
  6. 06 The growing crew begins a group text — "Robert Land Academy Investigators." They talk about needing a mole inside the Bowman family to get the real dirt.
  7. 07 The investigation goes kaleidoscopic — a "fire hose" sequence, intentionally overwhelming — what the school sold itself as, what happened to boys who ran away, the extensive priors and rap sheets of the staff they hired. All too much. Too fast. Too many deaths.
0

s09 Who is Bowman? sequence

the myth punctured claim by claim; first provable lie

  • Scott Bowman wants the invented military record and medals accepted as real · event confronted by a journalist, he all-but concedes it — an aspiring writer of spy fiction, not a soldier · turn leaves on record undercutting his own legend, in his own mouth
  • Andrew English ▼▼wants still believing that, whatever his faults, Bowman was at least a real soldier · event the empty military record and the fake medals surface · turn the belief dies on camera; he pivots to where the vehicles came from
JH · 2026-08-20

The Oscar Peterson claim is Bowman's, made in a newspaper article. We pull the corporate records and Ian asks whether Peterson is in them. Funny to us. It is Bowman's first lie.

JH · 2026-08-20

SINAI — RULED: use both the clipping and the on-camera read. The section currently has no dog line. The quote, from the clipping: "I've eaten dog in the Sinai because it was all there was to eat. Nearly half the people on the planet will go to bed hungry tonight. Eating isn't a right. It's a privilege. Boys need to learn that." SHOT: Jarett reads it aloud on camera. On screen: Peter posted the clipping to the alumni group himself; the capture of that post is the only place it survives.

beats (8)
  1. 01 The kaleidoscope resolves — beyond the noise there is a man singularly responsible, and that man is Scott Bowman. So who the Hell is Scott Bowman?
  2. 02 The survivors look into his military record. There isn't one. His résumé reads like a spy novel — claimed spells with NATO, IDF, Israeli Intelligence.
  3. 03 Confronted by a journalist, he all-but concedes his over-active imagination and literary bent — he is, after all, he admits, an aspiring writer of spy fiction.
  4. 04 Jarett traces the self-mythologizing through the school's advertising — 1973, no rank, just "Scotty"; 1987–1990, self-proclaimed "Major," fifty-one times; by 2001, a self-promotion to "Lieutenant Colonel."
  5. 05 Images of Bowman's "medals" make the rounds — fully fakes, or did he con his way into them?
  6. 06 Andrew English's decades-long belief that, for all his faults, this man was legitimately a soldier dies on camera. Ever the armorer, he pivots to a better question — if Bowman has no real connection to the military, where did he get all the military vehicles for campus?
  7. 07 DJ North finds Bowman's school photos from McMaster — a skinny college football player, still no military ties. "He looks like the water boy."
  8. 08 Ian finds the original board membership and corporate claim Bowman filed in 1973 — bizarrely claiming Canadian jazz legend Oscar Peterson on the Board of Directors. The group will find no evidence this was ever true. The first provably false Bowman claim; not the last. 1973
0+

s10 Enter: Peter Merrick

the possible mole appears

  • Evan Holmes wants more material on Bowman — keep scouring · event unearths a recent photo of Bowman with a beaming Peter Merrick · turn a possible mole in view — proposes the disguise call; a door toward the inner circle opens

fixed · the page turns Evan — scouring for Bowman material, he unearths the photo of Bowman with a beaming Peter Merrick and proposes the disguise call; Jarett shuts it down. Merrick himself is found footage here — he does not yet know he has been found; no move on him. · arcs.yaml holmes_evan @ e1.enter-peter-merrick.01 (+1)

beats (3)
  1. 01 Scouring for Bowman material, Evan unearths a recent photo of Bowman with a beaming Peter Merrick.
  2. 02 Merrick's voluminous online presence — writer, finance guy, San Diego, loves RLA, loves Scott Bowman. In a YouTube video he gushes: "The two most influential men in my life, Scott, are you, and my father."
  3. 03 Could this be their mole? Evan texts: "We should dress up in disguise and call him and tell him we want his financial advice." Jarett shuts it down.
+

s11 Facebook War sequence

the discourse war; an apology answered

  • Jarett Holmes wants corroboration beyond the survivors' own memories · event a former staff sergeant's unprompted public apology — "I was terrible… I need to ask forgiveness" · turn recruits Jon Krys — the first witness from the staff side of the wall
  • Jon Krys wants to be forgiven for what he let happen as staff · event his unprompted public apology on Facebook is answered by Jarett · turn joins the fight, on the survivors' side by Jarett Holmes
JH · 2026-08-20

Bill Bates discovered on the phone with Evan. Evan's reaction. Cut to more colour on Niznick. Then Evan on Bates: "I remember him looking beautiful in his royals. And he said you're going to be meeting a detective today. But don't forget, you are all going to be here for at least a year, some of you for longer." He threatens them and Evan lies. That lie has haunted him to this day.

JH · 2026-08-20

Through these sequences Ian implores Jarett to archive the group. Then Ian pays someone to, and the PDFs arrive. Jarett starts putting them into a database. Supercut of horror, denial, shaming, and genuine friendship.

beats (5)
  1. 01 Merrick's online hyper-presence makes Jarett aware of a new front in the battle — Facebook.
  2. 02 Ian gives Jarett the login to his personal Facebook — password "fuckrobertland" — and opens his eyes to the discourse raging on social media.
  3. 03 Survivors post about traumatic events only to be shouted down in a chorus of toxic "toughen up" responses. "You can't slander Mr. Bowman," simps one commenter.
  4. 04 Peter Merrick appears frequently as a defender of RLA; his posts often carry a single like — a user named BILL BATES.
  5. 05 One exchange catches Jarett's eye — a former staff sergeant's unprompted apology: "I was terrible… I need to ask forgiveness." Jarett gets in touch; Jon Krys, former staff and lifelong teacher, joins the battle against RLA.

s12 The Mortality Count Begins sequence

Howie dies; Ian starts counting

  • Howie Steinberg −suicide, not long after the post selling everything he ownedposting his abuse into a hostile group dead — the first name on the count
  • Ian Longfield ▼▼wants get Jarett to see Howie Steinberg's own posts about his abuse · event Howie sells everything he owns, then kills himself · turn the crusade has its first name on a death count
  • Ian Longfield wants understand how Howie's death fits a wider pattern · event in four days finds twenty-one more early deaths among former students · turn shifts from countering the school's ads to counting its dead
JH · 2026-08-20

Squeeze in Mark Carrington's death. Ian drives it. It is what happens to runaways.

JH · 2026-08-20

Howie Confirm selling his belongings. We may have discovered it was a different last post and the wires got crossed with someone else.

JH · 2026-08-20

PETER'S COMMENT — RULED: the comment is recreated on screen. The exact text, from Ian's pre-deletion export: "If missing a meal or two and getting back to basics and doing a little bit of exercise is the most traumatic thing that every happened in your life, I want your life because it's been pampered." (misspelling his)

beats (5)
  1. 01 Jarett and Evan realize the Facebook archive has become the richest surface the investigation has.
  2. 02 Ian directs Jarett to posts by an alum named Howie Steinberg — reflections on his abuse at RLA, aggressively shut down by Peter Merrick.
  3. 03 Then Howie posts that he is selling his belongings. All of them. Ian informs Jarett: "Howie is dead." He committed suicide not long after the post.
  4. 04 Ian: "I've found 3 overdoses or suicides (could be either) of former RLA students." A minute later: "There's probably tons more too." Within four days he has discovered twenty-one early deaths among former students.
  5. 05 One of the darkest throughlines of the series begins — Ian counting the dead, toward the devastating mortality study the group eventually puts together.
+

s13 The Turn — The Return of the Boy With the Broken Legs

the boy found; the credit fight starts

  • Evan Holmes ▲▲wants keep digging on his own even as the group grows around him · event stumbles onto the boy's real name — 'It's not Nimittz, it's Niznick!' · turn toward vindication — his solo digging cracks the season's first major breakthrough
  • Jarett Holmes ▲▲wants a name for the boy with the broken legs — the core memory corroborated · event Noah is alive, found, and grew up into a lobbyist with the ONDP education critic in his contacts · turn the dead-ended memory becomes the door into Queen's Park
  • Noah Niznick wants to be found — no longer just the unnamed boy in a core memory · event Jarett tracks him down under his real name; Noah, now a political lobbyist with MPPs in his contacts, agrees to introduce the crew to ONDP education critic Chandra Pasma · turn from an old wound with no name to the crew's living door into political power by Evan Holmes
  • Evan Holmes wants be part of the door his own breakthrough opened · event left off the Pasma exchange — Jarett says he couldn't reach him · turn toward feeling the investigation taken from him by Jarett Holmes
beats (5)
  1. 01 In the darkest moment of the hour, the first major breakthrough — Evan, still relentlessly researching on his own, stumbles onto Noah Niznick, the boy whose legs were broken in front of them: "It's not Nimittz, it's Niznick!" They had the name wrong.
  2. 02 The staff member who did it — an Italian paratrooper named Lt. Giovannini — was not even put on leave. The Crown, who initially charged Assault Causing Bodily Harm, dropped the charges.
  3. 03 Now they can find the man — and Noah grew up to be a political lobbyist with members of provincial parliament in his contacts. Among them, the ONDP education critic, Chandra Pasma. Jarett gets in touch; Noah agrees to introduce them.
  4. 04 As Jarett and Noah set up the meeting, Evan is left out of the exchange. Jarett says he couldn't get hold of him; Evan accuses Jarett of stealing his project.
  5. 05 Just as the investigation begins to pay off, the brothers experience the entropy of success.
+

s14 MIDPOINT — An Authority Engages

high point — and a false victory for the brothers

  • Jarett Holmes wants someone outside the survivors' circle to take this seriously · event the crew meets Chandra Pasma — everyone who has worked on this in one frame, with an MPP · turn an institution engages for the first time
  • Chandra Pasma wants gauge, from a distance, whether this case is real and worth backing · event meets the assembled survivors in one frame; the government commits, on the call, to move on the allegations · turn leaves the call an engaged ally to the men's case by Noah Niznick
  • Jarett Holmes wants keep driving the investigation forward · event because Jarett hosts the meeting, Evan privately accuses him of stealing his project · turn the cost of driving lands at home — the partnership with his twin starts to crack
  • Evan Holmes ▼▼wants be seen as driving this alongside Jarett, not behind him · event Jarett hosts the meeting his own year of work made possible · turn toward open accusation — on the phone, privately, he tells Jarett he's stealing his project by Jarett Holmes
beats (5)
  1. 01 The crew meets Chandra Pasma on a video call — the proper introduction to the MPP, and the first time everyone who has been working on this is in one frame.
  2. 02 Everyone gets a turn — Jon Krys says he represents the dark side because he was staff; Ian expresses gratitude that others joined his crusade; Andrew English asks why he was handed an assault rifle at ten years old.
  3. 03 Evan tells the politicians where he's been working from — a tent on a dyke in Mission, a Tim Hortons for the power outlet — on the eve of the twins' fortieth birthday: "I called my brother and I said, I'm unravelling something here… My brother's been an incredible support for me. Jarett, I love you so much. Thank you."
  4. 04 The government says it will move to act on these allegations. The high point of the hour — and a false victory for the central relationship.
  5. 05 Because Jarett is hosting the meeting, Evan begins to feel the thing he started is being taken away from him. Later, privately, on the phone, he accuses Jarett of stealing his project.

s15 Backsliding sequence

press fails them door by door

  • Evan Holmes wants stay central to the investigation as it formalizes · event the group turns itself into a Slack channel he didn't build · turn toward drifting out — present but standoffish
  • Jon Krys wants for the survivors' own story to reach the press, not the journalist's flattened version · event his demand that the survivors tell their own story, not the now-distrusted journalist · turn TVO cancels the whole segment — another press door closes
JH · 2026-08-20

DOUG EARLE — RULED: in, planted with the TVO beat — a finding, not a cause. A Robert Land director and vice-chairman who later became Managing Director of Marketing at TVO. Jarett, after posting Tim Hudak's history to the group: "I guess we know why we didn't get interviewed by TVO now." Neither is established as the cause of the segment being pulled.

JH · 2026-08-20

DAVID FRASER — Under the page's "A separate contact at the CBC stops answering": Jarett is referred to David Fraser, a senior CBC journalist, by another CBC reporter he had spoken to when it all began. Fraser, on receiving the file: "this file is amazingly detailed." Two minutes later: "I've been doing this for 15 years and never had anyone compile their information so clear and detailed… it's a huge, huge help!" Weeks in: "I've cleared my schedule entirely for tomorrow and intend to keep it that way!" The next night: "Hey man, sorry I got caught up again on our dayside here and can't swing it!" The last thing he ever sends. Jarett's last attempt, days later: "David, please let me know when we can chat. Given the topic, the nature of the horrific abuse, and the dead kids, just don't leave me hanging here man." Forty-eight seconds after sending it, Jarett screenshots the thread to Ian: "This fucking CBC reporter is pissing me off." The full thread survives on Jarett's phone.

JH · 2026-08-20

EVAN ON THE TVO PANEL — Evan hears about the panel secondhand and texts Jarett: "yo wht is this about you were gonna do a tv panel with rachel and john krys" / "but then they cut you" / "john evidently doesnt realize we are brothers" / "which is weird as fuck"

beats (6)
  1. 01 Everything promised by the false victory begins to come apart. The group creates a Slack channel to codify its research; Evan drifts away from it, a stand-offish non-participant.
  2. 02 The Walrus publishes an investigative piece about RLA — and it doesn't cover their investigation at all. The story the survivors spent a year building is not the story the publication runs. Inside the crew it lands like a lead balloon: "What a nothing article."
  3. 03 Andrew English writes an angry letter to the journalist.
  4. 04 TVO wants a segment on the article but reneges on its promise to have Jarett on camera, leaving the Walrus journalist the only on-screen presence.
  5. 05 Jon Krys writes his own angry e-mail demanding the survivors tell their own story rather than the now-distrusted journalist. TVO cans the whole segment.
  6. 06 Nobody else in the press picks it up. A separate contact at the CBC stops answering.
0

s16 The Somalia File

the state approved; Evan was right again

  • Ian Longfield wants keep filing the access requests nobody else will file · event thirty-eight requests pay off — government documents tie RLA staff to the Somalia torture-killing · turn delivers proof the state didn't just fail the boys, it approved of the school
  • Jarett Holmes wants keep sorting Evan's claims into provable versus conspiracy · event the Somalia court-martial record — a judge who liked what RLA did — lands in the crew's own archive · turn credits Evan's map of the thing — the brother who sounded paranoid has been right again by Ian Longfield
JH · 2026-08-20

Page: "a Somalian teen" → Somali. The victim: Shidane Abukar Arone, sixteen, tortured to death.

JH · 2026-08-20

MEFLOQUINE / CSM GRENIER — probable add Evan's telling of his first mornings puts both Somalia men in the recruit barracks, and the account runs directly into Niznick: "…there was Lieutenant Giovannini, who was kind of a scary looking Italian guy who had been an Italian paratrooper and was involved in the Somalia incident in which they tortured the POWs… And it's CSM Grenier who was also involved in that exact incident… He had an electric chair tattooed on the back of his neck. He had two different colored eyes." → "…there's a kid to my right, Nizhnick was his name, and he is not getting out of bed." On paper: Grenier is a plaintiff in the federal mefloquine class action. Three candidate seats, combinable: (a) Act 2's conspiracy-heavy list, beside Somalia; (b) beside the First Diorama — Grenier in the same barracks morning as Niznick; (c) beside The Somalia File.

beats (4)
  1. 01 Ian surprises Jarett — after filing thirty-eight access requests, he has the government documents on the RLA staff connection to the Somalia affair, the torture-killing of a Somalian teen by Canadian Airborne troops.
  2. 02 The judge who ran the public inquiry turns out to have known about RLA and liked it — pleased that his very good friend, a general, "had something to do with that school," and satisfied that the boys there "were all spoiled brats… doing what they were told."
  3. 03 A shocking revelation — the state did not merely fail to protect the boys of Robert Land; it actively approved of what was going on there.
  4. 04 The file settles something bubbling under the brothers' relationship. Somalia was Evan's find; Jarett dismissed it as a wide-eyed conspiracy theory. Now the court-martial record sits in the crew's own archive, and Jarett is forced to admit the brother who sounded so paranoid has been right about the shape of this thing… again.
0

s17 Conspiracy Theory or Conspiracy Fact?

Gleed in the founding papers — rot from day 1

  • Ian Longfield wants the paper trail — pull the school's own corporate registry · event inside the 1973 incorporation papers, a founding board member nobody has heard of — Keith Gleed · turn the rot documented to day one — the most outlandish claims keep testing true

fixed · the page turns Ian — he pulls the corporate registry and finds Keith Gleed on the 1973 incorporation papers; "The rot at the core of Robert Land Academy is right there in the paperwork from day 1." A find that opens questions. Ladder point alt 5.8 also sits here. · arcs.yaml longfield_ian @ e1.conspiracy-theory-or-fact.01 (+1)

JH · 2026-08-20

Two shapes, both open: (a) the section becomes the plant — the name found in the papers, no meaning attached; the cascade at the end is where it pays; (b) the section moves whole to the end.

JH · 2026-08-20

THE EPSTEIN REGISTER, EARLIER — Seed the register earlier in the hour. Available verbatim, Jarett: "It is a meme. Epstein didn't kill himself is a meme. Matt got a sweater with it written on it for Christmas."

beats (2)
  1. 01 Another win for Evan's seemingly-most-outlandish claims — Ian retrieves the corporate registry. The school sits inside a lattice of companies and shell corporations, and inside the 1973 incorporation papers is a founding board member no one has heard of: a man named Keith Gleed. 1973
  2. 02 Gleed, a reverend in the Anglican Church, is not only a documented child abuser but a personal friend of Prince Andrew. The rot at the core of Robert Land Academy is right there in the paperwork from day 1.

s18 Evan Goes Dark

the Walrus wound; vindicated on paper, unreachable in person

  • Evan Holmes ▼▼wants get some credit for the work, even from outside the group · event the Walrus profile reduces him to his homelessness and addiction, erases the investigation he built · turn toward reeling by the Walrus journalist
  • Evan Holmes wants be heard by the group he helped build · event he posts a legal brief to the Slack and only one person replies · turn toward dark — unreachable
beats (4)
  1. 01 Despite the victories and validations, Evan is not doing well. The Walrus article sent him reeling — by focusing entirely on his homelessness and drug abuse it caricaturized him, flattened his nuance, turned him into an avatar of social ills, and failed to credit his investigative work.
  2. 02 Evan writes a legal brief and tries to publish it in the Slack group. Only one person replies. He lashes out. Then he goes dark.
  3. 03 While Evan's ghosting the group, Noah's police file arrives, and everything Evan has been saying for two years is proved on paper — the judge simply let the perpetrator go, the school put him straight back into care for minors, and the malefactor is now a fire chief in the region.
  4. 04 Hard evidence of lax enforcement of, if not outright collusion with, Robert Land by the local authorities. Everybody powerful is in on this. Nothing can be made to move. There is no press support. And Evan has retreated to points unknown, potentially spiraling.

s19 Checking in With Queen's Park

the province stalls — "I need more than this"

  • Chandra Pasma wants get the minister to act through the quiet channel she's already committed to · event Jarett reports nothing has moved since the government's promise · turn reads the stall as proof and proposes the press conference herself
  • Jarett Holmes wants get real movement out of institutional channels — Pasma, the education minister · event Pasma's own emails lay the province's inaction bare · turn needs more than the system will give — "People are dead and dying. I need more than this." by Chandra Pasma
beats (2)
  1. 01 Stalled on multiple fronts, Jarett checks in with ONDP Education Critic Chandra Pasma — any action from the provincial government? An exchange of emails. Jarett: "Still nothing from the education minister. Can nothing be done about this?" Chandra: "I agree this is time now to escalate… A press conference at Queen's Park?" Jarett: "The star thought that press conf at queens park would be viewed as an annoyance and otherwise impotent." Chandra: the Minister "is not going to take action on one bad private school unless he's feeling public pressure… we do need to be thinking more broadly."
  2. 02 Jarett: "It's what, two letters and sweet else and we're now over 100 suicides? This is ridiculous… it doesn't seem like anyone even listens to either of you. People are dead and dying. I need more than this." The simple desperation of the last sentence lingers on screen as we dissolve.
Campus Visit sequence
+

s20 Act 3 – The Campus Visit Part 1 – Danbi's story and a Blessing

the circle speaks; group vector set — shut it down

  • Jarett Holmes wants some kind of movement, with nothing left to lose · event the group decides to drive to Niagara and peacefully protest the campus · turn commits to seeing it himself — "I just have to see it"
  • Danbi Cho ▼▼wants to survive the school, whatever it costs · event he runs in the dead of winter — jail or death over another day at RLA — surrenders, is sent back to campus by a judge's order · turn harshly punished, back inside the thing he tried to escape
  • Danbi Cho wants to face the campus without it breaking the group · event he arranges a blessing from former Chief Stacey LaForme of the Mississaugas, on whose land the school sits · turn the group encouraged, protected, ready to drive to Niagara
JH · 2026-08-20

DANBI'S AWOL Page: "we see him run away in the dead of winter." Four boys ran, not one. Page: "He eventually surrenders to the police." They ran out of gas and turned themselves in — being arrested was the plan. The judge who sent him back also dropped the charges. The circle audio is rough; exact wording off the audio before quoting.

beats (5)
  1. 01 With nothing left to lose — and maybe nothing left to gain — the crew decides to drive to Niagara to peacefully protest the campus. Jarett's reason is the plainest: "I just have to see it."
  2. 02 Return to the sharing circle where we first met Evan — this time the others say their piece: Ian, Jon Krys, Danbi, Mike Hauben, and new characters DJ North and Greg Bevington.
  3. 03 Danbi's story becomes a Diorama Sequence — he runs away in the dead of winter, choosing jail or potential death over another day at RLA, eventually surrenders to the police, is returned to campus by order of a judge, and is harshly punished.
  4. 05 Finally, the group decides on an objective. The men are unanimous — the goal is to get the school shut down once and for all.
  5. 04 Danbi has arranged a special blessing from former Chief Stacey LaForme of the Mississaugas of the Credit First Nation, on whose ancestral land the school was built. Chief LaForme performs the ritual and encourages the group. Then the survivors set out on the snowy Niagara roads.

s21 The Campus Visit Part 2 – Facing the Beast sequence

menace rising; police uninterested — no help coming

  • Jon Krys wants to be believed as a direct witness to the abuse · event he tells the responding officers he was staff and a direct witness, offers his name and testimony · turn the police aren't interested — dismissed
  • Ian Longfield wants get the police at the gate to actually look at the case · event forces them to watch a news segment on the lawsuits · turn the officer waves him off — state power still isn't interested
JH · 2026-08-20

Blue van. "We're journalists!" Include.

beats (8)
  1. 01 They arrive at the academy. It's open. Bowman's son drives past without stopping. 2025-03
  2. 02 Office lights go on and off and then nothing — "they just disappeared because of the camera." Somebody peeks out of a window. A child can be seen on the grounds: "It's crazy that there's kids here."
  3. 03 A truck speeds by, buzzing the protestors. Then a man in a blue van arrives and starts interrogating the group.
  4. 04 Jon Krys: "You're okay with adults beating up on little kids?" Van Man: "It's alleged." Ian: "No. It's not alleged. It happened to me." It's raw. It's real. Everyone is on edge.
  5. 05 Van Man reminds us where we are: "It's a small town, everybody knows everybody around here." In the fight to come, the locals are going to side with their own.
  6. 06 The truck returns from the other direction, slowing to snap flash photography of the protestors and their licence plates. Intimidation tactic or real danger — we can't possibly know.
  7. 07 Police arrive, dismissive of the group and its claims. Jon Krys identifies himself as a former staff member and direct witness to child abuse, willing to give his name, his testimony, anything they want. The police aren't interested.
  8. 08 Ian presses the officers — "Are you aware of the lawsuits. Child abuse?" — and forces them to watch a news segment on the lawsuit coverage. The officer waves him off. Again, state power has no interest.
+

s22 Stonewalled by Institutional Power

every door shut — so Jarett opens the forbidden one

  • Evan Holmes ▼▼wants hold on, even at a distance, after the campus visit reopens it · event returning to the campus · turn toward relapse — a nightmare evening scoring drugs and sleeping rough
  • Jarett Holmes wants keep working the case from the outside — sources, records, press, politicians · event every institutional door closes at once · turn calls Peter Merrick — the one thing he told Evan he absolutely would not do
JH · 2026-08-20

Page: "The police who kept returning the desperate runaways of RLA — such as Danbi or Brown and Toppi." Danbi's return was a judge's order. The line works with Brown and Toppi alone.

JH · 2026-08-20

THE 1998 DETECTIVE — The detective's son is already on the page (STONEWALLED). Available: the plant — one 1998 clipping passes unremarked in the fire-hose sequence, returns at the close — and the ending: he stepped aside, and a homicide detective from major crime took the file. His words, in print: "At the end of the day, I don't need the aggravation that some people perceive there's a conflict… I've bowed out." Nobody in the hour says conflict of interest out loud.

beats (6)
  1. 01 The visit is cathartic but answers no questions and solves no problems. The school remains open. The visit re-traumatizes Evan, who spends a nightmare evening in Toronto scoring drugs and sleeping rough.
  2. 02 More corporate records arrive. Jarett reads them off on the phone, almost numb — a retired NATO general and commander for Northern Canada listed as President and Executive Director in October 1987. A real general was vouching for a fake major. 1987-10
  3. 03 The police who kept returning the desperate runaways of RLA — such as Danbi, or Brown and Toppi, the two boys who died on the train tracks — had officers on the Board.
  4. 04 The detective who led the investigation into Brown and Toppi's deaths had a son at the school at the time.
  5. 05 The conflicts of interest are all in plain view as a matter of record — and it hardly seems to matter against the institutional headwinds the survivors face.
  6. 06 With nowhere else to turn and the investigation crumbling despite its revelations, Jarett does the one thing he told Evan he absolutely would not do — he calls the man on the other side.
+

s23 The Break into Episode Two: Peter Merrick and the Death Threats

Merrick talks — and threatens

  • Peter Merrick wants field the investigation's questions without giving anything away · event Jarett's call reaches him after weeks as a distant online defender, and he agrees to talk · turn opens a line to the investigation — still guarding everything by Jarett Holmes
  • Peter Merrick ▼▼wants keep the line open on his own terms · event the season's first hour closes on his own words, repeated over the black box — you asked the wrong question, you're no longer here · turn the line snaps back into menace — a death threat as the episode's final word
JH · 2026-08-20

THE ENDING — RULED (supersedes ending on the threat): the hour ends on the click-through cascade. Jarett sees Gleed's name in the incorporation papers → Googles it → the Maclean's investigation — what Gleed did to boys; best friends with Prince Andrew → clicks through to the Gleed/Andrew/Epstein article. Episode ends there. The chain is on tape in one breath, Jarett's own telling, inside E1's window: "So I get these corporate documents. I see a name I've never seen. I Google it. The second article that comes up is a McLean's article about Prince Andrew delivering a font to the chapel made out of the rock from Balmoral in honor of his best friend. So it's like Prince Andrew had two best friends, Epstein and another guy, the guy that started Robert Land Academy. So I call Peter." Two print objects carry it: the Maclean's investigation (Gleed's victims, the lawsuits, the font, the Andrew friendship) and a second clipping that sets Andrew–Gleed beside Andrew–Epstein. SHOT: Jarett researching Robert Land on the Gastown streets — available as the cascade's picture; may be recut. THE BREAK INTO EPISODE TWO — The Merrick-threat block moves ahead of the cascade.

beats (5)
  1. 01 Desperate for a breakthrough, Jarett gets in touch with Peter Merrick, the company man who loves Scott Bowman and all things RLA. Surprisingly — or not, given his evangelical advocacy — Merrick is willing to talk to him. Sort of.
  2. 02 Across a series of calls, Merrick tells Jarett what happens to people who ask questions: "You asked the wrong question and maybe you're… no longer here." Two days later: "God forbid the wrong person gets to you…then you just happen to be this young kid who got into a car accident."
  3. 03 Jarett asks him straight up whether he's connected to the Bowman family: "Am I wrong about that?" Merrick: "I have nothing to prove to you. I didn't come to you."
  4. 04 Evan warns Jarett: "He's threatened you twice… you could be next if you're not careful."
  5. 05 Final image — the diorama's "black box" of Robert Land, a space from which no information comes in or out. The cube containing the trauma of all the survivors becomes all-encompassing, a total blackout of the image, Merrick's final threat over it: "You asked the wrong question… You're no longer here." END OF EPISODE 1.

Episode 2

The other camp · 35 scenes · 24 turning beats · 3 attention flags
++

s01 COLD OPEN — "Honour, Labour, Loyalty, Commitment, Courage"

the other camp — warmth, totems, the Five Values

no vector moves in this unit

NEEDthe loyalist portrait — Maislin's warehouse, Ness, Alderson, the Five Values rattled off with pride. Every belief on the page is stable; Jarett's question elicits recitation, not perturbation. Nobody enters wanting, nothing perturbs, nobody leaves turned. No not-yet-shot note on any of its beats. · the hour's double-hold landing on somebody — a carrier (Jarett is the one on stage) entering the other camp expecting tormentors and meeting warm, funny, hospitable men who were legitimately helped, leaving holding both truths at once. The move is the contradiction registering, on camera, in the room with the totems. SHOT state unstated on the page.

JH · 2026-08-20

Old boys Do we punctuate with Jamie Alderson and Bruce Ness, the cook, here. Any others. Jamie is Niagara police and made the call about the conflict of interest in Brown and Toppi. - Extra old boys referenced in the Memorabilia segment

beats (6)
  1. 01 Hands open a cardboard box of memorabilia — berets, cap badges, photographs of young scarlet-coated cadets, swords, a golden boot. Totems handled with fondness. We're inside the other camp — men who still love Robert Land Academy; warm, funny, hospitable men who were legitimately helped in life by their experience there.
  2. 02 We meet MICHAEL MASLIN, the board's longtime finance chair, guiding us through his warehouse of memorabilia.
  3. 04 BRUCE NESS is another loyal Old Boy — the cook at RLA for 29 years after his graduation.
  4. 05 A third, JAMIE ALDERSON, went on to a long career in the Niagara Regional Police, using that position to routinely return RLA runaways.
  5. 06 Through these men, a new perspective on Robert Land — a school that was a lifeline, an anchor, a start in life.
  6. 03 Jarett asks if they remember the "Five Values." In a supercut, almuni rattle them off with pride: Honour. Labour. Loyalty. Commitment. Courage. They remember it like it was yesterday.
+

s02 Act 1 – "I think that would be, like, life threatening"

everyone says don't go; hard cut to the plane

  • Jarett Holmes wants weigh Merrick's threats against the promise of an inside rapport · event his brother and his co-director both say under no circumstance should he go · turn takes the plane to San Diego anyway
beats (3)
  1. 01 Picking up where E1 left off — Jarett weighs the risk/reward of his initial Merrick calls, the promise of a rapport with a man on the inside against the not-so-veiled threats.
  2. 02 The filmmakers — Jarett, Evan, and JESSE MAIMAN — circle up on a video conference to discuss how to proceed if the stakes are really lethal. Evan: "I don't think you should go see him in San Diego. I think that would be, like, life threatening potentially… These people are very bad people." Jesse agrees — under absolutely no circumstance should Jarett go.
  3. 03 Hard cut: Jarett's taking off in a plane to San Diego.
San Diego sequence
0

s03 The Prep

public Peter vs phone Peter; the wildest threads test true

  • Jarett Holmes wants keep Evan's claims sorted — provable on one side, conspiracy on the other · event a conventionally-successful insider talks Evan's exact language, and the wildest prior threads test true · turn starts taking the wildest threads seriously
beats (5)
  1. 01 Five hours in the air — Jarett studies Peter Merrick. RLA's own 2012 YouTube post, "Affording Robert Land Academy": Peter calmly presents a financial shell game — grants, disability paperwork, a trust that turns tuition into a corporate write-off. Warm, fluent, completely credible: "Much of my success, or all my success, I owe it to Robert Land." His public-facing image. 2012
  2. 02 The private side, on the phone — much less measured. MK Ultra was housed in Montreal, he offers on day one, unprompted. The school: "It's like Lord of the Flies meets MK Ultra meets the Apprentice, meets venture capital."
  3. 03 Jarett is reminded of Evan's seemingly-paranoid claims — now a conventionally-successful man is talking the exact same language. The loyalist with a forty-thousand-follower LinkedIn and a bestseller sounds exactly like the outsider in and out of relapse. And the wildest threads are often true — there *were* MK Ultra experiments in Montreal; the dead priest on the founding papers *was* Prince Andrew's closest friend. All subsequent claims get harder to wave off.
  4. 04 Researching Merrick's financial work for the Bowman family, Jarett discovers the founder's son, Greg, serves as president of dozens of companies across Texas, Alabama, Delaware and London. On one call Jarett asks Peter about the nesting dolls of dummy corps and phantom firms — Peter, who has an answer for everything else, does not have one for this.
  5. 05 Once more, in the warm register of friendly advice, Merrick threatens Jarett: "Don't be too smart. Because you can be so smart you cut yourself." The plane touches down.
+

s04 The Insider

the threatener, in person, is open

  • Peter Merrick wants control what Jarett sees of him from a distance · event Jarett shows up in person on his boulevard, and Peter meets him hospitable, funny, completely open · turn becomes an in-person source for the first time — still loyal, but talking freely by Jarett Holmes
JH · 2026-08-20

Merrick sells it to Jarett the way it was sold to him. Peter likes Jarett. A big-brother wink. We're special, we're supermensch. Wink wink nudge nudge Shine a light on the big-brother little-brother affection and everything that comes with it. Jarett trying to get Peter not to say tranny. Peter telling Jarett everything we hear in the Cat Stevens song Father and Son. Jarett cynical, Peter more of a "we'll see"

beats (4)
  1. 01 Night. El Cajon Boulevard, San Diego, twenty to midnight. Peter wants cigarettes but doesn't want to be seen smoking on camera. They walk and talk, Jarett filming on a phone.
  2. 02 The man who ended Episode 1 with a flurry of lethal threats is, in person, hospitable, funny, and completely open. He has not "flipped" — not a defector, still a steadfast loyalist to RLA and the Bowman family — but he is the first person who knows the whole story from the inside, from cadet in the school's first year to eighteen years of personal correspondence with the founder.
  3. 03 His biggest contribution to the school: running the health-and-welfare tax trust that got families' tuition subsidised — the vehicle from the webinar — "I made a shitload of money off of doing that for Robert, man." Before the financier, the exemplar: show cadet, then recruiter, then tax engineer. "I was the kid for three years who showed kids around."
  4. 04 Merrick sells it to Jarett the way it was sold to him: "We're special. We're Ubermensch." It's a wink-wink moment — way more fraternal than sinister.
00

s05 Diorama Sequence: Bowman's Dream

the dream on a Bristol board — three business pivots

no vector moves in this unit

recorded elsewhere · diorama — Bowman's dream on the Bristol board, the three business pivots, told by Peter as history he has already processed; no event acts on him in the unit. The unit's motion is myth altitude: Ladder point alt 7.6 (the dream on a Bristol board).

beats (2)
  1. 01 Merrick takes us back to the beginning — before RLA existed, Bowman a young man with a dream: "He went to this architect my first year and they had, like, Monopoly pieces of what the school would look like on a Bristol board." The Founder showing his model to eleven-year-old cadets echoes the show's own miniatures — a brief Diorama Scene: the Academy sits atop the Black Cube; the camera crests the cube and crawls across a perfect replica of the parade square as Peter explains the genesis.
  2. 02 The genesis — not a school at all, but a summer camp for special-needs kids incorporated in 1973 as the Creative Centre for Learning Disabilities; morphed into a children's mental health centre in 1975; finally, in 1978, Robert Land Academy. Bowman just wanted a business — the camp didn't work, the psychiatry venture didn't work, so he pivoted again, with an uncle's help, to the "troubled teen" boarding school idea. 1973–1978
+

s06 The Total Institution

the diagnosis without the cure — push resisted, denial by denial

  • Peter Merrick wants be the warm host with the diagnosis — the cult named, himself intact · event Jarett pushes — why stay loyal to a man you yourself call a cult leader? · turn deflects, one denial at a time — the diagnosis without the cure; the question stays open on him

fixed · the page turns Peter — Jarett pushes him on staying loyal to a man he himself calls a cult leader; he deflects one denial at a time; "the man has the diagnosis, but he will not take the cure." A question opened is a turn. · arcs.yaml merrick_peter @ e2.total-institution.03 (-1)

beats (4)
  1. 01 Peter has a word for what the machine became: a total institution — sequestered communities where isolated individuals face strict regulation of every aspect of daily life; they take every hour of a life and issue you an identity that only works inside the walls.
  2. 02 "How did I learn to discern that? Because I lived in a total institution." He takes it up to the founder — "he was a cult leader" — and: "I read every book I could on Amazon on cults… I wanted to fucking deprogram myself."
  3. 03 Jarett pushes Peter on his close relationship to Bowman — why remain loyal if Bowman's a cult leader? The warm host deflects, one denial at a time. The man has the diagnosis, but he will not take the cure.
  4. 04 "Did anyone die at the school? Think about how good that is." Pressed on Brown and Toppi, the two boys killed running from the school: "These guys who ran away and got run over… But that wasn't at the school." Again and again, the two men look on the same events with different eyes.

s07 British Bulldog

the sanctioned brawl — both boys under Arthur

  • Andrew English ▼▼wants a small boy just trying to survive the school · event British Bulldog — the four-hour sanctioned brawl; Bill Arthur's hand at his throat, his face driven into the snow · turn he got the worst of everything the place had by Bill Arthur
  • Peter Merrick wants hold the exemplar's story together on camera — the favourite who worked the system from the inside · event recounting Bill Arthur's canoe-paddle beatings and his own torn ligaments · turn the wound under the loyalty surfaces — he was also a victim of the place he defends by Bill Arthur
beats (3)
  1. 05 The show rapidly brings in a third perspective — a man prepared to remind us of the true rot at the core of the place. Andrew English, the littlest boy in the 1981 CBC footage, the cadet-turned-armorer who carries his decades of hurt very lightly, remembers Peter from their shared time at the Academy. And he has a story to tell — the two young cadets on opposite ends of RLA's highly-stratified society; Peter worked the system from the inside, a favourite; Andrew got the worst of everything.
  2. 06 British Bulldog — an infamous schoolyard "training exercise"-cum-"sanctioned brawl" in which the boys were forced to fight in the snow for four hours; the bigger boys bullied the smaller ones for sport, for release, for pleasure. Peter's LORD OF THE FLIES comp — survival of the fittest meets survival of the meanest. Staff ran it; staff joined in — particularly BILL ARTHUR, a 6-foot-4, 230-pound mountain. Intercut between Peter and Andrew as they both recall it. Peter, on Arthur: "He repeatedly struck me with a canoe paddle… You'd be hit so hard that blood would actually seep through your skin." Andrew: "Bill Arthur grabbed me by my throat… He drove my face into the snow so that I couldn't breathe." A Diorama Sequence — 64 tiny figures fighting for their life in the south Ontario winter. Red blood on white snow. Peter — Arthur threw him and he tore three ligaments: "He beat the shit out of us that night. And he encouraged the older dysfunctional kids to beat on the weaker kids." Andrew: "This field was covered in blood." 1981-01
  3. 07 Out of the crescendo of violence, a quiet moment. The school concealed it from the parents. No police. No consequences. Then we learn that Andrew English did not recover.

s08 The Diorama Continues: The Handgun on the Path and the Suicide Attempt

the handgun, the pills, court-martialled at eleven

  • Andrew English ▼▼wants enduring the beatings, getting through it · event Arthur pulls a gun on the path back to barracks and threatens to kill his parents if he tells anyone · turn he swallows pills, attempting to die by Bill Arthur
beats (3)
  1. 01 After the British Bulldog, Andrew walks alone back to the barracks at night. Bill Arthur veers off his own route to intercept him and pulls out a handgun: "If you tell anybody, I will kill your parents." Andrew can still name the exact model — he is, after all, an armorer. The diorama continues — one small figure on a path, one enormous figure stepping off the road to meet him. Impossibly huge. 1981
  2. 02 And then Andrew tried to kill himself — not because of the beatings, but because he believed the man was going to murder his family and he could not tell anyone. Swallowing pills. Surviving. Ripping up his plane ticket back to Ontario; his father taping it back together. Flown straight back to the site of his torment. 1981
  3. 03 Upon his return: "I was court-martialled for cowardice at the age of eleven." 1981

s09 Bowman's Answer

punish the child, protect the business — SOP set

  • Andrew English ▼▼wants a child fresh from a suicide attempt, needing to be helped · event Bowman finds out, does not call police or discipline Arthur, and instead rages at Andrew — "seething, banging on the desk, screaming at me" — court-martialled for cowardice at eleven · turn punished and humiliated instead of helped — the institution turns his attempt into his crime
  • Scott Bowman ▼▼wants keep his third attempt at a business, two years old, alive · event a child's suicide attempt — caused by a staff member's threat to kill that child's family — lands on his desk · turn chooses the business over the child; protect it at all costs, let nothing out — the order that becomes the school's standing rule
beats (3)
  1. 01 When the Founder finds out, his response is incredibly telling. He does not call the police. He does not fire Bill Arthur, nor discipline anyone for the British Bulldog. He rages at *Andrew English* for attempting to kill himself — "seething, banging on the desk, screaming at me." An eleven-year-old, fresh from trying to die, screamed at for trying to die, humiliated, called a coward, doled out RLA-style discipline. 1981
  2. 02 Punish the child. Protect the business. The school was two years old — Bowman's third attempt at a business on this piece of land, and it simply had to work. Confronted with a child who had tried to die because an employee threatened to murder that child's family, the founder chose the school. 1981
  3. 03 From that moment on, this is the standard operating procedure of Robert Land Academy. Keep the business running at all costs. Let nothing out. The very invention of "the black box."
San Diego sequence
0

s10 Back to San Diego

"do I sell Bowman out? Then who am I?" — the question hangs

  • Peter Merrick wants both standings at once — look great in the survivor community, stay loyal to Bowman · event asked straight whether he liked Bowman, he answers a different question — "He was the king" · turn the identity question opens in his own mouth — "do I sell Bowman out for it? Then who am I?"

fixed · the page turns Peter — asked straight whether he liked Bowman he answers a different question ("He was the king"), then opens the identity question in his own mouth: "do I sell Bowman out for it? Then who am I?" · arcs.yaml merrick_peter @ e2.back-to-san-diego.02 (-1)

JH · 2026-08-20

Then we cut back to San Diego for the devestating Peter Merrick quote about who would I be if I sold out B

beats (2)
  1. 01 Off Andrew's torment, back to Jarett and Peter's walk and talk — the big brother / little brother vibe strained from the weight of events of nearly fifty years ago; still two men seeing the same events with different eyes.
  2. 02 Asked straight-up whether he liked Bowman, Peter answers a different question: "Nobody created their own fiefdom. You are the king of your own domain. He was the king." Pushed on why he's willing to talk now but not willing to commit himself fully to the survivors' search for justice: "I look great on the Internet now in this community. This could be really good. But do I sell Bowman out for it? Then who am I?"
00

s11 Act 2 – "This sort of Black Box"

LeFave names the machine — the black box

no vector moves in this unit

NEEDLeFave names the black box — a definitional thesis delivered as outside-expert exposition over the diorama cube. Nothing on the page enters him wanting, acts on him, or turns him. The season's counsel is on stage carrying its central metaphor and his own vector does not move. · the black box costing LeFave something on camera — counsel entering having watched the machine defeat his clients (the closed environment beating discovery, the insurance clock, men dying before resolution), leaving with the thesis as lived stake rather than definition. Hunt staged below (lefave_matthew) carries the on-record candidates. SHOT state unstated on the page.

JH · 2026-08-20

Bowman mind control aspect This could be a good place for laboratory stuff McGovern letter — this was a labratory… then …this is a laboratory that was a black box… then… Facebook Black box No transition planned figure it out - Or find somewhere with Matthew LeFave to get the quote in Invention of the black box. LeFave's black-box quote could go here. We need to understand the reference going forward. Get another Bowman evil action right here. Open on the page Think about a braided module to come before going back into Peter-Howie-Jarett

beats (1)
  1. 01 As Peter's words sink in, a Diorama / Zoom Call Intercut between the massive Black Cube of the diorama world and the bearded, steady face of MATTHEW LEFAVE, attorney for the survivors, on a video call: "…how Robert Land Academy achieved what they have in this case is what I sometimes think of as this sort of black box." The scope and scale of the opaque cube: "This closed environment whereby limited, very, very limited information gets in and basically no information gets out." The Black Box stands as a monolith.

s12 The Stone

Kalls buried on the parade square — Peter's first crack

  • David Kalls −suicide, about eighteen months after leaving the schoolthe master corporal the others wanted to be near dead — "died suddenly"
  • Peter Merrick wants believe his devotion to Bowman was earned, not just endured · event recalling that Bowman buried David Kalls on the parade square against his own suicide-is-cowardice preaching · turn the first crack — a forty-year-old anger he still can't quite let go of by Scott Bowman
beats (4)
  1. 01 A memorial stone, sitting in the parade square of Robert Land. As the narrative resumes — in a sense Andrew English is one of the lucky ones; his attempt failed. DAVID KALLS left Robert Land in 1983. Everybody liked him — a master corporal, one of the boys the others wanted to be near. About eighteen months after he went back to a public school, he killed himself. The obituary in The Standard said only that he died suddenly. 1983–1985
  2. 02 His parents asked that his ashes be buried at the school. Bowman says yes. In June 1985, a twelve-year-old incoming cadet named JASON LADAS — whose home video provides our archival footage throughout — watched Bowman inter the ashes on the grounds and mark it with a stone. The stone gave the boy a new rank. Corporal David Kalls. 1985-06
  3. 03 Peter Merrick was livid. Forty years later, he still can't quite let it go: "He preaches all this morality… suicide's the coward's way out, right? That's what we were drilled into our heads. And he's burying his body on the campus."
  4. 04 After that, the boys of Robert Land did their exercises alongside Corporal David Kalls's rock. Some say they saw him at night. One said he was sitting on his own tombstone, in scarlet uniform.

s13 The Facebook Civil War sequence

the hornets' nest; the group is a morgue; Peter won't concede. Yet.

  • Ian Longfield ▼▼wants keep finding the alumni the group has lost track of · event works out a method — look for who was posting, then went silent; a dead person looking for another dead person · turn realizes the group itself is a morgue it doesn't even know about
  • Jarett Holmes wants turn the loyalist — Peter still defending Bowman as a good man with a dream · event comes armed with Andrew English's recorded testimony and goes at Peter, at length, on the record · turn the fight is now direct and on tape — but Peter does not concede
JH · 2026-08-20

Facebook. Who is the abused man who sits on the board and recants.

JH · 2026-08-20

JUST GET TO HOWIE

beats (4)
  1. 01 The filmmakers' increasingly noisy probing has kicked the hornets' nest, nowhere more than the Facebook groups — the E1 trends hit fever pitch, survivors posting trauma shouted down by others still under the thrall of Bowman's charisma and mandated dependency.
  2. 02 Andrew English gets pushed out of a group and digitally sneered at on his way out. Even calls for peace get rapidly redirected into enforcement — *let's not do this here*.
  3. 04 Ian, embracing his role, develops a new method for finding deceased alumni directly out of the Facebook Wars: look for who *was* posting but then suddenly stops. Bleak, but effective. "A dead person looking for another dead person. It's eerie to see." The group is a morgue but doesn't even know it.
  4. 05 In the middle of it all, Jarett keeps working at Peter as the loyalist keeps defending Bowman — he's not a bad guy, he had a dream, he meant well. At a breaking point, Jarett comes armed with Andrew English's recorded testimony — what Bowman did to an eleven-year-old boy who tried to take his own life. Jarett and Peter go at it, at length, on the record. Peter does not concede. Yet.
+

s14 Peter Breaks Rank

Howie's death lands where argument couldn't

  • Peter Merrick ▲▲wants keep defending Bowman in the Facebook group as the pressure mounts · event his own 2011 silencing of Howie Steinberg put back in front of him, and Howie dead · turn writes his own post into the group — solidarity with the man he silenced, in public, where the loyalists can see it by Howie Steinberg
JH · 2026-08-20

Peter/Ahab - what loyalty to Bowman felt like from inside.

JH · 2026-08-20

Peter — Ahab, the hinge: Right after the flip. Me: "Tell me, what is Ahab?" / Peter: "He's Ahab. He is Ahab. You have to rewrite Ahab." / "But because he kills everybody, everyone dies because of the dream." / "He wasn't a bad man, but this ghoul was so obsessed… He puts everything for the dream. He's willing to sacrifice his entire crew." / "And that's why I say he's like Ahab, because it became and it destroyed him." Two days later I hand it back. Peter: "I think Bowman was Ahab," / Me: "as you said." The epiphany isn't clean — he second-guesses. These land after the hinge, order TBD: "I'm gonna go back to my first feeling. He's not a bad person. He just got stuck into a situation, and that's why I say Citizen Kane and Ahab." / "I just. That's how I want to see them. You know what I mean?" And darkest: "when he sits by himself and he, and the voices come up in his head, he knows that he's Moby."

beats (4)
  1. 01 Then Peter is reminded of a man he has not thought about in fourteen years. Howie Steinberg — the E1 alumnus who tried to sell his worldly possessions before killing himself — was Peter's friend from his first year at Robert Land. A smaller boy with a severe learning disability: "I can literally say I saw it, but it didn't compute. And it was brutal."
  2. 02 In 2011, at an alumni reunion, Howie showed up and started talking about his traumatic experiences. Peter shut him down: "I have regret that I did not process it… I literally diverted the conversation because my programming kicked in." 2011
  3. 03 Howie's posts are still available. Somebody pulls one up. Peter, cornered: "And then Howard shows up and drops a turd into the conversation… I thought at that point I was being groomed to be on the board of governors. I shut it down. I shut down what could have turned into a lawsuit." He did not get the board seat, and he silenced a survivor to protect his standing with a man already pulling the chair out from under him: "I was the wall. I'm the one who stopped this wall from having a lawsuit. 2011. I knew that."
  4. 04 Where Jarett's arguments fell short, Howie Steinberg's suicide lands. This is the moment the man turns — not an argument from Jarett, but a Facebook post Peter himself wrote and the undeniable consequence of a man's death. Peter goes into the group where he has been defending Bowman and writes his own post — what he did to Howie in 2011, why, and where he stands now. A declaration of solidarity with a man he silenced, who is not alive to read it. The loyalists watch one of their own walk off the bench in public.
+

s15 Looking for Evan

Peter was Evan's idea — and Evan is unreachable

  • Jarett Holmes wants share the win with the brother whose idea Peter was in the first place · event Peter has flipped — and Evan cannot be found to be told · turn the victory sours — the man who deserves the credit is missing
beats (2)
  1. 01 Jarett can't wait to tell his brother — Peter has flipped, and Peter was Evan's idea in the first place. Evan flagged him and Jarett shut it down: "I mentioned it to you when I first read about him, and you were like, don't waste your time calling Peter Merrick."
  2. 02 He can't find him. Not answering, not online, no phone. The thing Evan started is finally moving, and Evan is not reachable.
+

s16 An Arrest

first active-teacher arrest anyone remembers

  • Jonathan Ahlstedt −the undercover stingpromoted head of physical education charged with child luring — the first active-teacher arrest anyone remembers
beats (2)
  1. 01 For the first time anyone can remember, an active RLA teacher is arrested — Johnathan Jeffrey Ahlstedt, thirty-nine, head of physical education, recently promoted under the headline "High marks for Robert Land Academy teacher," arrested 3 April 2025 by Niagara Regional Police and charged with child luring. Undercover ICE-unit officers posed as kids as young as thirteen and fifteen. Thirty other men are arrested throughout the Niagara region in the same sting. 2025-04-03
  2. 02 A student journalist who wrote a puff piece on Ahlstedt rereads his own work on camera: "I feel disgraceful that I wrote this and find it horrible that the school posted it." The school says nothing.

s17 More Silence from Legacy Media

no outlet connects the dots — twice

  • Jarett Holmes wants one outlet to connect the arrest to the school · event the arrest runs on the crime beat with no connection made — and the first arrest, November 2023, went unconnected too · turn the silence is systemic and predates the investigation — the record will not carry itself

fixed · the page turns Jarett — no outlet will connect the arrest to the school, and the first arrest (November 2023, before the investigation) went unconnected too; the silence is systemic and predates them. · arcs.yaml holmes_jarett @ e2.more-silence-legacy-media.01 (-1)

JH · 2026-08-20

What was the other arrest of the RLA staff member mentioned in the Toronto Star section.

beats (2)
  1. 01 Jarett tries to get the press to engage. Notice of the arrest appears on the crime beat, but not a single outlet will report the connection between the arrest and the myriad similar allegations going back 5 decades. Jarett writes to the Toronto Star: "When a teacher is arrested in a long investigation for child luring — is the fact that they are a teacher at a boys' residential school not material?"
  2. 02 The investigators learn this isn't the first arrest — a staff instructor was charged in November 2023, before the brothers' investigation ever kicked off. No outlet connected that arrest to the school either. 2023-11
+

s18 Mike Brown Surfaces

Chris's brother finds them; the coroner file comes

  • Mike Brown wants find out the truth of what happened to his brother · event Googles his dead brother's name, finds Jarett's group — Ian's handoff text is two words long, "this is HUGE" · turn pulled inside the investigation
  • Mike Brown wants the coroner's file Evan could never get · event as next of kin he requests his brother's file — Jon Krys doubted it could be done ("Mike, I don't think you can get it") — it comes · turn holds the file Evan never got
  • Mike Brown wants answers — the truth of what happened to Chris · event the group reads the coroner's report together — an unidentified John Doe, identified only by the school's crested clothing, ruled "teen misadventure" · turn leaves with the institution's dismissal in writing, the wound reopened
JH · 2026-08-20

Mike Brown - Unbraid Check the texts and confirm the "huge" sounds like me. Does Jon Krys doubt he can get it.

beats (4)
  1. 01 A stranger walks into the crew's life from nowhere, having simply Googled his dead brother's name. Jarett: "And then he just finds us." Ian's handoff text is two words long: "this is HUGE." His name is MIKE BROWN, and his brother Chris is where Episode 1 began — where Evan began his investigation. Chris died at sixteen on the train tracks behind the school, two weeks after police caught him running away and returned him to campus.
  2. 02 Returning to the newspaper archive on Brown and Toppi — the man quoted minimizing the school's role in their deaths was a police inspector who sat on the school's own board.
  3. 03 Evan desperately wanted the coroner's report; Mike now picks up that effort. Jon Krys doubts it can be done: "Mike, I don't think you can get it." But Mike is next of kin. He requests his brother's file. It comes.
  4. 04 The group reads it together. The body arrived at the morgue as an unidentified John Doe; it was identified by the school's crested clothing. The uniform gave the dead boy a name. The finding at the bottom: "teen misadventure." A restrained Diorama Sequence — a stretch of miniature track behind a miniature school, in the dark, two small figures. We do not stage what happened. We hold on the distance between the buildings and the rails.
++

s19 Midpoint — The School Announces Its Own Death

the school announces its own death — "WE TOOK YOU DOWN"

  • Mike Haubenthe school announcing its own closure the day after Mike Brown reaches outthe place fucked up his life — rage with nowhere to land declared victory — "WE TOOK YOU DOWN"

fixed · the page turns Hauben — the school announces its own closure and the man who said the place fucked up his life posts "WE TOOK YOU DOWN." Time-indexed belief: the declared victory is the move at this point of the telling, whatever Hollow Victory does to it next. Derivation miss — delta authored. · e2.yaml delta hauben_michael @ e2.midpoint-school-announces-death.02

JH · 2026-08-20

E2 — Closure midpoint (SHOT) RLA announces the end on its own terms and publicly says it has nothing to do with us. we believe the pressure mattered; the school denies that. The midpoint should close the original goal and open the more dramatic question: What did we actually change, and what survives the school's closure?

beats (2)
  1. 01 The very day after Mike Brown reaches out, Robert Land Academy announces that it is closing — a shock to all involved. On their own terms, in their own words, no admission of guilt or culpability in any pending civil trial; the stated reasons are declining interest in military-themed education, and COVID.
  2. 02 Mike Hauben — who told us in Episode 1 that the place fucked up his life — posts three words: "WE TOOK YOU DOWN."
+

s20 The Hollow Victory no-turn

nobody charged, nobody confesses, credit goes elsewhere — the win curdles, and it bends no one

  • Jarett Holmes wants the survivors' three years of work on the public record of the closure · event The Walrus writes the movement out of the ending entirely, and the reporter ghosts him on read · turn the school is dead but the record still erases them — closure without acknowledgment
JH · 2026-08-20

There is a kill factor quote here. Is it real, and whose.

beats (4)
  1. 01 The closure was once the loftiest goal the survivors aspired to — but as the news sets in, the victory feels more and more hollow. Nobody is charged. Nobody confesses. The corporation survives the school. And the closure had a far more prosaic cause: "There's one factor that was the kill factor — you couldn't renew your insurance by the time there became a certain amount of lawsuits. That's it." It wasn't the protests. It wasn't the press. The school was killed by an underwriter.
  2. 02 The school files its answer to Evan's lawsuit specifically, in which it denies everything.
  3. 03 The Walrus runs a follow-up on the closure, and the same reporter who flattened Evan writes the entire survivors movement out of the ending: "She didn't report on any of our efforts. She didn't say that we'd met with the education minister twice or that we went to protest, which she knew all about… basically just attributing the shuttering of this place to her only." / "The last message I sent her was: look, to date, no victims of this place have had a voice. It's still not too late to do the right thing here, please." She takes all the credit, shares none of the glory, and ghosts Jarett "on read."
  4. 04 Three groin strikes in a row: the win is hollow, the school denies it in court, and the attribution for the victory goes to somebody else. Evan, the man who started it all, is not answering his phone.

s21 Diorama Sequence: The Hellmouth

searching the Downtown Eastside; the Hellmouth

  • Evan Holmes wants nothing the record can name — he is inside the Downtown Eastside · event his own voice from inside — the place warps time, "you eventually stop being able to find your way back out" · turn consumed — the Hellmouth swallows the city and everyone in it, his brother searching above
  • Jarett Holmes wants find Evan in the Downtown Eastside · event walks Hastings frantically, asking strangers if they have seen his twin — to no avail · turn the search fails — his brother is somewhere inside the Hellmouth

fixed · the page turns both brothers — Evan's own voice from inside the place that warps time ("you eventually stop being able to find your way back out"), Jarett walking Hastings asking strangers for his twin, to no avail. · arcs.yaml holmes_evan @ e2.diorama-hellmouth.01 (-1) + holmes_jarett @ e2.diorama-hellmouth.02 (-1)

beats (2)
  1. 01 Jarett goes looking for Evan in the Downtown Eastside. As he searches, Evan's voice describes the place from the inside — what it feels like to go in, how it warps time, how you eventually stop being able to find your way back out.
  2. 02 A Diorama Sequence — a few blocks of miniature Hastings Street, the monstrous scale of a city against one tiny man; at the horizon line, a red Hellmouth modeled after the Bocca di Orco consumes the city and everyone in it. In real life, Jarett frantically walks the streets asking strangers if they have seen his twin brother. To no avail.

s22 The Group Comes Apart sequence

three exits; justice without consequences?

  • Andrew English ▼▼wants core member of the unit · event the consequence-free closure reopens 1981 — a vivid nightmare of the bloodied cadets crawling toward him · turn leaves the Slack, re-traumatized
  • Jon Krys ▼▼wants to stay in the fight beside the survivors · event the guilt of having been staff returns · turn leaves the Slack — exits the group as an interloper
  • Danbi Cho wants to stay in the fight with the others · event an MBA to finish, a family to raise — he's taken it as far as he can go · turn stepping back from the group
beats (5)
  1. 01 The survivors' Slack blows up — the school shutting down without consequences hits them way harder than the shutdown helped in the first place.
  2. 02 Andrew describes a vivid nightmare in which the bloodied cadets crawl towards him. Sleep-deprived, re-traumatized, at wits' end, he leaves the Slack.
  3. 03 Jon Krys begins to feel like an interloper in the students' world. The guilt of having been staff returns. He leaves the Slack.
  4. 04 Danbi Cho has an MBA to finish and a family to raise; he's taken this as far as he can go.
  5. 05 What's left of the group contends with the one question nobody planned for: Can there be justice without consequences?
+

s23 The Last Parade sequence

the school's last day — stakeout, police, chased off the road

  • Ric Patterson wants to be known by Jarett as more than eleven years of assaults after Robert Land · event he tells Jarett what he wants out of all this isn't justice — years of working on himself land him somewhere else · turn toward art school, painting, a book — healing, not justice
  • Jarett Holmes wants witness the end of Robert Land Academy as a victory · event the last cadets look exactly like the men who came to watch it close · turn says the quiet part — "We're 40 and we're just getting deprogrammed here"
  • Stefanos Karatopis wants believes the criminal complaint goes nowhere in a compromised system · event the Niagara Regional Police finally stand in front of him · turn insists on giving his testimony to an officer who did not ask for it
JH · 2026-08-20

The last parade DJ was run off the road as soon as we got there. Pre-lap the panicked DJ through the phone speaker, in real time, in Ric's truck. Enter the scene with Ric and Jarett and Ric (described well in 3) talking about how he wants to go to Spain to learn paint. Then driving around Niagara aimlessly. Then finding it. Then the academy. Confronting the cops and making the complaint was more like 4pm. The timing is wrong all through this day. Is the timing in the scriptment? Play it more real-time with narration, since I'm telling Evan. More momentum. Will look into this. <- In this version we've unbraided so it's not Jarett telling Evan about it? Unless we still that aspect of the braid, which may work. As we leave we are chased out of town. Shaky iPhone footage, the truck and the van overtaking cars on the single-lane rural road. Stef will eventually be the one to get the bench and chair, lives 5 minutes down the road, long 80s hair band hair, the local who believes everyone in the region in the corrupt, makes a complaint anyway Stakeout from a golf course near the grounds "What's the point of this"

beats (10)
  1. 01 Jarett rides in a truck with RIC PATTERSON — a large, mustachio'd man in Oakleys with a Batman tattoo. Ric went into foster care at nine, then to Robert Land, and spent the eleven years after it acquiring a long rap sheet of assaults: "I feel like I went to Robert Land and they desensitized me and taught me how to hurt people." He has been married seventeen years. He works on himself daily and says so without embarrassment.
  2. 02 What Ric wants out of all this, he explains to Jarett, is not justice. He has landed somewhere else entirely: "I'm gonna go to art school and learn how to paint. And I'm gonna write a book, and I'm gonna lean on you to help me get it published when it's finished."
  3. 03 Jarett and the humble giant are on their way to Niagara for the final parade — the school's last day, the last graduating cadets, the end of Robert Land Academy. Suddenly a call from DJ North, panicked, through the phone speaker — another car of survivors is being harassed by the locals. Ric speeds the truck up.
  4. 04 They stake out the school from a golf course near the grounds. Very little to see. "Is that Bowman, or is that a golfer?" one asks, not for the first time. "What are we doing here?" another asks. Not for the first time.
  5. 05 Jarett peers through a long lens, watching the boys' faces as they parade the grounds: "I would have expected the smiles to be a bit bigger on these kids. You're still just so shell-shocked at the end, remember?… And that made me think — it hasn't changed that much." The last boys out of Robert Land Academy look exactly like the men who came to watch it close.
  6. 06 Somewhere in the small hours Jarett says the quiet part about all of them: "We're 40 and we're just getting deprogrammed here."
  7. 07 Eventually, the Niagara Regional Police arrive. We meet STEFANOS KARATOPIS, a middle-aged alumnus with long, 80s-hair-metal hair who lives about five minutes down the road. Stefanos laments the corruption of the region — a criminal complaint targeting the school will go nowhere: political ties to the provincial Progressive Conservatives, ties to police administrators from all the neighbouring departments, high-ranking military men on the Board. "So where would the criminal complaint go?" Nevertheless, despite everything he just said, he immediately insists on giving his testimony to a police officer who did not ask for it.
  8. 08 Jarett, a raw nerve in this emotionally fraught moment, asks the police officers: "Did you guys get all the pedophiles here? Just making sure — because last time we were here, there was a pedophile here you guys hadn't got yet."
  9. 09 On the way out, the survivors see the blue van — the same one from Episode 1, parked where the Blue Van Man can see them. Ian has run the plates — the Blue Van Man's wife is a longtime employee of the school; the vehicle is registered to the corporation itself. His E1 warning looms large.
  10. 10 The documentary crew leaves — chased off the road by locals in shaky, visceral iPhone footage. Over the pure chaos of an amateur demolition derby on a single-lane rural road, a phone ringing —

s24 Diorama Sequence: Evan Overdoses in a Car Wash

where Evan was — back in contact, hard to believe he'll be okay

  • Evan Holmes wants survive, wherever he is · event the car-wash overdose and robbery — Narcan promised and never delivered, found blue-skinned by shelter staff next door · turn toward back in contact, promising his brother he'll be okay
JH · 2026-08-20

Where Evan's been: trim diorama description to just the description no Jarett's voice stuff

beats (2)
  1. 01 Jarett's voice answers; Evan's, nearly identical, responds. Evan is calling to tell Jarett (and the audience) where he was. He overdosed in a car wash. In a Diorama Sequence, Evan explains he was in a serious depression after the closure of Robert Land.
  2. 02 He was in the car wash with a group when he ODed. They send a girl to get Narcan, but instead she robs Evan of all his possessions. By the time people from the shelter next door find him, his skin is blue. That is where Evan was during the days the thing he started finally came to fruition. He promises Jarett he'll be okay going forward — but it is hard to believe that is true. Jarett, despondent, ponders the role of brothers in the investigation; Evan's early obsession with the Chris Brown death.
Revelstoke sequence
+

s25 Revelstoke — The Bench and a Reason to Continue

Mike's healing model; the desecrated bench

  • Mike Brown wants to keep healing, having done the grief work · event learns the school's memorial bench for Chris was used by staff to taunt other students about "taking the easy way out" — "I want to get those back, and I want to smash them right there in that parking lot." · turn turns from grief work toward reclaiming and destroying the desecrated objects
JH · 2026-08-20

"I've arrived in Revelstoke" might play better before the where-were-Evan-and-Jarett sequence. That sequence could also play intercut. Doing it for all brothers lands if Evan is unreachable. When we meet Mike Brown he is everything a lot of us aren't. He's done the work, lived with death, and is beaming in the sun, all muscles and curls and affection. We love him. A picture of what is possible if you actually deal with your shit More shine on Mike. He is a beautiful man after all

beats (5)
  1. 04 So Jarett gets in the car — nine hours east into the Columbia Mountains to meet up with Mike Brown in person for the first time.
  2. 01 Jarett arrives in picturesque Revelstoke and finds Mike Brown to be a person essentially from a different show entirely — attractive, well-built, charismatic, his face defaulting to an infectious toothy grin; a bright ray of sunshine, all muscles and curly hair and love for life. Mike works for a local funeral home as a "transfer agent" — when somebody dies, Mike goes to get them. "I started working at that funeral home because I wanted to deal with death." Everyone else has spent their post-RLA years desperately trying not to look death in the face; Mike drives toward it for a living.
  3. 05 Mike has done the work — grief, anger, acceptance — and come out the other side a complete man, with an emotional maturity most people could never imagine. But that's not to say he doesn't have an axe to grind with Robert Land Academy.
  4. 02 After Chris's death, RLA created a chair and a bench, in theory to memorialize him. In reality the bench was spoken about in a much different, darker way — staff known to taunt students about "taking the easy way out" like Chris Brown did. "I want to get those back, and I want to smash them right there in that parking lot."
  5. 03 Through Mike, and through his desire to reclaim the objects that were supposed to honour his brother's legacy but are hateful to every aspect of his memory, Jarett finds a reason to keep going — *healing*. Looking directly at the wounds of the past and dealing with them, personally and emotionally, so that life can go on.
++

s26 The Decision to File Criminal Charges

the last unknocked door — criminal charges

  • Jarett Holmes ▲▲wants find a way to keep going after the hollow victory · event Mike Brown facing death daily for a living, and the desecrated bench meant to honour his brother · turn decides to file criminal charges — the last unknocked door by Mike Brown
JH · 2026-08-20

Bumping on filing cause Mike

beats (1)
  1. 01 On the road back, Jarett decides. The school is gone and nobody has paid. There is one door left that nobody has knocked on, and it is the police. Filing criminal charges means reliving the past to an extent no survivor has yet been willing to — but if Mike Brown can face down death every day, the boys of RLA can reach into their past to truly heal their wounds. If not for his brother, then for all the brothers.
++

s27 Evan's Mountain

the camp, Louise, Snuffaluffagus — brothers at ease

  • Evan Holmes wants protect the camp — Joe inside, the lens kept off his people · event Snuffaluffagus found; he points the cat at the camera — "That's my brother. That's — that's my brother." · turn at ease and connected the day before the national interview — family language back in his mouth

fixed · the page turns Evan — protective of the camp, then the cat found and pointed at the camera: "That's my brother. That's — that's my brother." At ease the day before the national interview. Louise and Joe are named presences with no move; Jarett participates unturned. · arcs.yaml holmes_evan @ e2.evans-mountain.03 (+1)

beats (3)
  1. 01 Jarett proceeds to Salmon Arm to reconnect with Evan — an off-the-grid camp of a trailer and some tarps. Evan has a partner, LOUISE, and a neighbour named Joe. His first instinct is protective: "I want Joe to go inside. I don't want you to film Joe."
  2. 02 Tomorrow Evan is scheduled for a national television interview; today he is looking for his cat. He coaches Jarett: "No, if you just meow, he'll come out and come running." Jarett walks into the brush and meows into a mountainside: "Am I calling the cat right? Meow."
  3. 03 The cat, Snuffaluffagus, finally appears. Evan holds him: "He's amazing. He's my best friend, man." He points the cat towards Jarett — "That's my brother. That's — that's my brother." Jarett, filming: "Hey, buddy."
+

s28 The Interview

the broadcast ends on "homeless" — Evan dark again

  • Evan Holmes ▼▼wants keep the ground he found on the mountain — stay okay · event the national broadcast ends by telling the country Evan Holmes is homeless · turn toward dark again in the Downtown Eastside
beats (3)
  1. 01 Jarett and Evan drive down off the mountain to the taping. Evan is using when he sits down for it. The clip — a largely positive but extremely soft summation of the survivors movement — ends by telling the country that Evan Holmes is homeless.
  2. 02 Evan's texts arrive as walls of capitals: "I WASNT EVEN HOMELESS WHEN I DID THAT FUCKING INTERVIEW — I was living in an Off-Grid RV Community." / "I can't possibly rent a place now without them finding out I've been homeless. All because she wanted to end her piece on a sombre note… It's costing me my literal life."
  3. 03 Once again the effort to expose RLA has claimed Evan's self-worth as the price of doing business — and perhaps the cruelty *is* the point: take a man whose testimony is inconvenient and demonstrate how easy it is to discredit him. Re-traumatized, Evan goes dark in the Downtown Eastside and stops answering anyone.
+

s29 Act 3 – "Pitting brother against brother"

six men file; strangers discover shared wounds

  • Andrew English wants still measuring his life against RLA's own metric — "I failed in life in so many ways and still do" · event Mike Brown asks him whether he failed by their metric or his own · turn names the mechanism — "I adopted their metric… that is how they are able to pit brother against brother"
beats (3)
  1. 01 With Jarett, the mission continues. Six former students go to the Niagara Regional Police station to file criminal charges. Deliberately small — no press, no crowd, no speeches. Just men in a waiting room filling out paperwork. It has to be personal; the law will not accept anything that didn't happen to the individual filers. No hiding in the gestalt of other people's stories — the six men have to face their own demons. 2025
  2. 02 Inside, they tell the police that their complaints will name current and former officers within that very service — that there are Robert Land people amongst them, and that a Niagara police inspector sat on the school's board while these events were occurring. Jarett asks the duty officer how she feels about that. She says "it's not very nice" for them to talk publicly about the police's involvement. The whole fifty-year institution in four words, said politely in a police station in 2025.
  3. 03 In the waiting room, Mike and Andrew — generations apart, strangers to one another — discover they were punished the same ways and carry the same traumas. Mike asks Andrew how it feels to watch himself, the boy on the 1981 tape, say he thinks he's going to make it. Andrew: "I failed in life in so many ways and still do." Mike: "Did you fail by their metric or by yours?" Andrew: "I adopted their metric. That's part of the sickness… that is how they are able to pit brother against brother."
++

s30 Peter Pivots

went to support — came out a complainant

  • Peter Merrick ▲▲wants stand beside Andrew at the police station as a friend, nothing more · event standing at the complaint desk beside a man he has bad history with · turn files his own criminal complaint against the school he defended for eighteen years by Andrew English
beats (2)
  1. 01 Peter Merrick goes to the station just to support Andrew in making his complaint — but comes out having filed his own. He went in as a friend to stand beside a man he has bad history with, a source of guilt; somewhere between the door and the desk he changes his mind on the spot and reports what was done to him. Andrew calls it cleansing.
  2. 02 Peter, who spent eighteen years as the founder's booster, who was still defending him in a Facebook group as recently as a few months ago, has now made a criminal complaint against the school.
+

s31 The Press Conference sequence

the count said out loud in a legislature

  • Jarett Holmes ▲▲wants deliver the case the crew has built · event back at Queen's Park, the set piece that opened the series — he goes first · turn puts his own imprisonment and abuse on the public record, in a legislature
  • Andrew English ▲▲wants to finally put it on the record, after 42 years · event at Queen's Park he testifies publicly — Bill Arthur, the canoe-paddle beatings, the gun threat against his family, the pills, the taped-together plane ticket, "I was court-martialled for cowardice at the age of eleven" · turn stands publicly with "brothers and now sisters" — on the record at last
  • Mike Brown ▲▲wants to make Chris's death matter publicly, not just privately · event testifies at Queen's Park beside Chris's photo — "The day Christopher died is the day my whole family died" — names the bench-taunting on the record for the first time, "If you want to take the easy way out, you could be like Brown" · turn leaves a public witness — the family's private grief now public testimony
  • Stefanos Karatopis wants wants the abuse said publicly, on the record, not just to one officer on a roadside · event takes the podium at Queen's Park and describes being made to dig his own grave · turn stands before the province so "no child should have to dig their own grave again"
  • Chandra Pasma wants turn her institutional standing into public pressure on the minister · event hears the men's testimony delivered inside her own legislature · turn goes on the record, thanking them by name and demanding the Minister meet them
JH · 2026-08-20

E2 — The run-up to the press conference Make a moment out of the run-up. Danbi can't do it, Evan can't be found, and then Jon Krys threatens to pull out. It should look like it might not happen — and then it happens, so the podium lands as an achievement instead of an agenda item. Danbi can't come. He's mid-EMBA with two quizzes the Friday after. On the record in our texts: "You in for Oct 9? Press conf? Wondering if you would speak…no presh tho" / "It's not so much the $ but the lack of time. I have two big quizzes on the following Friday (Oct 10)." Evan can't be found. Maybe a comment I make to one of the others. Look what's around this. Jon Krys threatens to pull out. If he can't speak he doesn't wanna be there, most qualified in the room, Jarett has to convince him to stay in and give him speaking slot. Jon Krys gets pulled back in by Jarett for the press conference

JH · 2026-08-20

E2 — What triggers the press conference Look at the Calandra email thread. The press conference comes out of the fight over nothing happening. The important beats: Me: "We approach one year on this project, Robert Land announces its bankruptcy, and still nothing from the education minister. Can nothing be done about this?" Chandra: "I agree this is time now to escalate, but I will follow your lead on what you would like to do next. A press conference at Queen's Park?" Me: "It's what, two letters and sweet else and we're now over 100 suicides? This is ridiculous… it doesn't seem like anyone even listens to either of you. People are dead and dying. I need more than this." Noah: "The tone of this email isnt helpful. I will consider how to respond in due time." Then: "Cool, well if you want to have a constructive discussion we can. In the meantime do your thing as you see fit my guy." Me, two days later: "I owe you both an apology. I don't want to make excuses for taking a rude tone with allies of our group, especially given that we've had few of you… I had a real lapse of myself." Chandra: "I completely understand that our political system can be frustrating to navigate, especially when you are seeking justice. I think it would be good for us to have a meeting and talk through the options and what Noah and I know about where the pressure points are in the system."

beats (8)
  1. 01 Back to the set piece that started the series — Queen's Park, the Ontario Legislative Building. The group that almost ripped itself apart just months ago announces the findings of its investigation and the filing of criminal charges against Robert Land and individual staff members. same event: e1.cold-open.02
  2. 02 Jarett goes first: "It's very difficult to put into words the feeling of omnipresent persistent violence. When you're a child, there is no hope. There is no future. There is only the moment. And you want to avoid pain in that moment." / "I lived in a concrete room with nine other boys and no door. And everything about my existence was controlled from above." / "Imagine running away in Niagara, freezing cold, no lights, nowhere to go — but anywhere was less scary than staying at Robert Land. And when we ran, the Niagara Regional Police Service returned us. Indeed, they have been returning runaways since before I was born."
  3. 03 Then the count, out loud, in a legislature, for the first time: "So we track 2,169 alumni. Every name and every yearbook that was made. And these faces beside me are just some of the 110 that are dead. Nearly half of us to suicide and overdose. The median age we die, 35 years old." / "What I am describing to you is not a school. It's an experiment. But in Ontario, call it a school, run a jail. There are no restrictions. There's no accountability. There are no checks."
  4. 04 ANDREW ENGLISH: "I've traveled from British Columbia, hundreds of miles, kilometres, and 42 years to this moment where I stand with brothers and now sisters." He tells the cameras about Bill Arthur, six foot four, the canoe-paddle beatings at 11, the gun threat against his family, the pills, the taped-together plane ticket: "I was court-martialled for cowardice at the age of eleven."
  5. 05 MIKE BROWN: "When I was eight years old, my older brother, Christopher Brown, this boy right here, was sent away to Robert Land Academy. He was 14." Each subsequent visit — "he was less and less Christopher every time." The escape attempt. The railroad tracks. By now everyone in the room is crying. "The day Christopher died is the day my whole family died." And the bench: "I was told that they used to walk recruits past my brother's bench and say, 'If you want to take the easy way out, you could be like Brown.'"
  6. 06 JON KRYS, the staff member: "During my time, I personally witnessed or became aware of the relentless emotional, psychological, physical and sexual abuse that these boys faced on an everyday basis. Looking back, I feel that my primary duty was to have protected these boys, and I failed." And he gives them the credit: "Through their actions, these boys have closed RLA for good. It was them, not anybody else."
  7. 07 STEFANOS KARATOPIS: "We were subjected to such abuses such as having to dig our own graves, six feet down, four feet wide. Some students were made to lay in it, dirt getting thrown on them, saying they're going to be buried. I am standing here before you all to make sure that no child should have to dig their own grave again."
  8. 08 Then CHANDRA PASMA thanks the men by name: "As a parent, and particularly the mother of a 12 year old boy, these stories just break my heart. You were little kids when this happened to you. You deserved so much better." Then, on the record, to the government's face: "Minister, please meet with these men."
++

s32 Aftermath

the team room — the unit re-forms

  • Jon Krys wants to stay clear of the group after quitting it · event Jarett talks him into rejoining to represent staff at the press conference · turn comes back, and is glad he did
  • Jon Krys ▲▲wants to hold it together after testifying, in front of a group he only just rejoined · event Andrew embraces him in the hallway afterward, thanking him for putting himself out there · turn breaks — the group re-forms around him as a unit by Andrew English
  • Andrew English wants still carrying the weight of having just testified · event he hugs Jon Krys, a stranger to him until an hour ago, in the hallway after the press conference · turn "It kind of feels like we're in a team room" — the unit re-forms around him
beats (3)
  1. 03 The press conference ends. Jarett and Jon Krys have a moment — Jarett had to convince him to rejoin the group to represent staff at the event. Jon is glad he did.
  2. 01 Andrew hugs Jon, a stranger to him until an hour ago: "I can't believe that you put yourself out there for us." Jon Krys, who did not break at the microphone, breaks in the hallway: "I almost lost it, man." Andrew: "It kind of feels like we're in a team room." The esprit de corps has returned. The group that fell apart is a unit again.
  3. 02 MATTHEW LEFAVE, counsel at Preszler, who filed the lawsuits that killed the school's insurance, steps in front of the camera: "One of my clients mentioned to me, he said, 'You said this was gonna happen.' I said, 'I did.' He said, 'You said we're gonna shut them down.' I don't remember saying that." A beat. "I mean, that was always the project, wasn't it." And on the government, which has still not answered anyone: "But why not? Why not respond?"
+

s33 Evan Is Not There

the day's glaring absence — his name never said

  • Jarett Holmes wants celebrate the record finally landing, with everyone who built it · event at the hotel, Morgan Sluser reads his own text to Evan aloud — the man who started it all is absent · turn "I wish he was here, obviously" — the triumph has a hole in it shaped like his brother
beats (3)
  1. 01 As much as the moment is defined by everyone present, it is as much defined by a glaring absence — Evan is not in the room. Not on the podium. Not named from it. Across the whole day at Queen's Park — every speech, all the cameras — his name is not said once.
  2. 02 Back at the crew's hotel, Jarett sits with MORGAN SLUSER, an RLA survivor who met Evan in a Vancouver AA meeting years before any of this started and joined the case because Evan talked him into it. Morgan: "I know you because I know Evan, that's right… Evan is sometimes easy to get in an argument with. But he's easy to love too." Jarett: "I wish he was here, obviously."
  3. 03 Jarett asks Morgan what he would say to Evan if he were here. Morgan says he already said it — he pulls out his phone and reads his text about seeing them on the news: "This shit's wild. And you were the one that started it all. You told us — LOL, thank God you never stopped talking."

s34 The Deaths Don't Stop

the count does not slow — Lofranco at 33

  • Spencer LoFranco −sudden death at 33a rising Hollywood career dead — the highest-profile name on the count
  • Ian Longfield wants keep the count moving no matter who's next · event Spencer LoFranco's sudden death goes up the same way every other name has; Jarett calls the posting a metronome · turn the counting has become mechanical — grief with no pause built into it
beats (2)
  1. 01 The complaints are in, the press conference covered, the machinery activated — but it grinds at its own deliberate speed, and the death count does not slow. From the high of Queen's Park to the low of the highest-profile RLA death to date.
  2. 02 SPENCER LOFRANCO — a successful up-and-coming actor who starred in Angelina Jolie's UNBROKEN and appears alongside John Travolta in GOTTI — is suddenly dead at 33 years old. While Hollywood mourns, Ian posts him like he posts all of them. Jarett, on Ian's posting: "It doesn't go up or down, it just ticks along like a metronome." Somebody asks whether there is a single day of the year that doesn't have a dead alumnus on it. More fucking death. And it may not be the last of the episode.

s35 Winter Comes for Evan

north into the storm — alive or dead, TO BLACK

  • Jarett Holmes ▼▼wants find Evan alive · event drives north into the storm and calls into the black shack — "Okay. Hello? Hello?" · turn documentarian becomes brother on a rescue — not knowing if Evan is alive or dead
beats (3)
  1. 01 Once again, nobody has heard from Evan. Jarett and Jesse are planning a December shoot in Salmon's Arm; a brutal mid-winter cold snap blows in unseasonably early. In an emergency call they decide Jarett must drive up ahead of schedule. As soon as possible. ***NOW***. early winter 2025
  2. 02 Jarett goes north into the storm: "I have no idea if my brother's even there. I'm just praying he's alive." He looks for a burned-out vehicle he was told to expect on the way in. It isn't there. Nothing is right. Everything feels off. The snow is pounding.
  3. 03 Jarett arrives at the shack in the dark, in the snow, and calls into it: "Okay. Hello? Hello?" As he enters the black room, not knowing if he'll find Evan alive or dead — TO BLACK. END OF EPISODE 2. same event: e3.cold-open-what-the-fuck.02

Episode 3

Walking the myth back down · 25 scenes · 23 turning beats · 5 attention flags
+

s01 COLD OPEN — "I just want my boy back"

Riyadh — inseparable, spirited; then sent. "I just want my boy back."

  • Jarett Holmes ▼▼wants stay a rebellious, inseparable pair with his twin, a world away in Riyadh · event their parents' decision to send them from Riyadh to Robert Land · turn delivered into the Academy
  • Evan Holmes ▼▼wants keep the reckless, spirited freedom he and Jarett built together in Riyadh · event their parents' decision to send the twins to Robert Land Academy for discipline · turn toward delivered into the Academy — a decision he'll regret for the rest of his life
beats (4)
  1. 01 Before the twins ever laid eyes on Robert Land — inseparable, buoyant youths. Their father, an airplane mechanic, gets an offer he can't refuse from Saudia Airlines and moves the whole family to the guest-worker compounds of Riyadh, Saudi Arabia.
  2. 02 Adolescence in an autocratic monarchy, a world away from everything they know, fuses the brothers — they have no one to rely on but each other. But as they grow rebellious, the stakes turn untenable: a youthful indiscretion here can cost a limb if one is lucky, a head if not. In camcorder videos of the period — young Evan points out that merely filming is itself illegal — the twins' hijinks: juvenile, imprudent, but vivacious. An appetite to live. A hope for the future.
  3. 03 Unable to rein in their behaviour or stomach the risk, their parents agree to send them to Robert Land Academy — a return to familiar surroundings with a bit of discipline instilled, without losing the good-paying job that brought the family to Riyadh. It is a decision they will regret for the rest of their lives.
  4. 04 A heartbreaking end to the Cold Open — their teary-eyed mom expresses a thought no mother should have to have: "I just want my boy back."
+

s02 Act 1 - "What the fuck is going on here?"

the doorway violation — then "I made a mistake" / "I'm glad you came"

  • Evan Holmes wants hold on alone through the winter, on his own terms · event a stranger and a camera show up in his bedroom, unannounced · turn toward violated in his own home by Jarett Holmes
  • Jarett Holmes wants get to Evan first, camera rolling, as the documentarian · event Evan names what the unannounced camera in his bedroom did to him · turn brother first — "I made a mistake" by Evan Holmes
  • Evan Holmes wants be left alone, not filmed, not intruded on · event his brother's apology and the breakfast in his hands · turn toward re-opened — "I'm glad you came" by Jarett Holmes
beats (10)
  1. 01 Tracking slightly back into the end of 2 — Jarett climbing the logging road on a mountain above Salmon Arm. Overcast, snowing, blue light on the peaks. A rented car, a tray of Tim Hortons, a Swedish cinematographer, searching for a landmark he was told to expect: "I don't think I saw the burned out vehicle. I feel sick. I hope he's okay." He has not heard from his brother in weeks. early winter 2025
  2. 02 He gets out. The camera follows him in. Chickens scatter around his feet. He calls into the dark of the trailer: "Okay. Hello? Hello?" Nothing. Into the black: "Hey, it's me. Jarett…I was so worried I couldn't hear from you, so I came here." A cat comes out — "Hi, Snuffles." Still too dark to see anything. Finally a voice answers: "I'm okay. Tired. I guess I'm tired, man. Scared." Evan Holmes is alive. same event: e2.winter-comes-for-evan.03
  3. 03 Two seconds later he registers the second man, and the camera: "Who the fuck is this? What the fuck is going on here with a camera in my bedroom?" It's not a rescue; it's a home invasion. "Dude, you don't bring a camera in somebody's bedroom without saying anything, man. Get the fuck out." The DOP backs out; the brothers go at it on the body mics in a room so dark Jarett points out the shot is useless anyway: "It's like you wouldn't even see you. It's too dark."
  4. 04 Evan is alive — the bridge question answered — but alive and aligned are not the same thing. Can the brothers unite to see this through together? The fight continues. Jarett: "That's why I came here. I came here to deliver you to a motel because I'm terrified about you being freezing out here, buddy." Evam: "I'm here with Keegan. It's not like I'm gonna die and you're not gonna know. I mean, that's absurd. I got like, you're my emergency contact. It's like, I didn't know."
  5. 05 The heat de-escalates in stages. Jarett heads off the objection to the stranger — "You're going to love him. He's a Swedish guy. He's Viktor." Then: "Also in an hour and a half, Mike Brown's coming here. He's going to help chop wood and then we're going to get you down to a motel." Evan softens at the name Mike Brown — they have never met in person, but it is Evan's research into Chris Brown's death that started the investigation and eventually pulled Mike into the group.
  6. 06 Jarett comes back in with breakfast: "Got a hot coffee, got some hash browns and got a breakfast sandwich for you. Good to see you, man. I love you, dude. I'm so happy you're okay." On body mics, he says why he came through the door the way he did: "As I started to walk in here, I just started to feel like I was gonna throw up because I felt like, what if I come in here and he's dead or something?" Evan asks why he didn't tell the cameraman to wait in the car. "I made a mistake."
  7. 07 Evan names what happened to him in the doorway: "You understand? Like, a person has CPTSD and then the stranger come. It's like, you're coming in my room with a big, massive dude taking up the whole hallway." But then: "It's all good, man. I love you very much. I'm glad you came."
  8. 08 Evan claims to be doing well — off fentanyl; a man on the property named Keegan, who lives on a bus, brings him wood and taught him to endure a winter he had no equipment for: "I wouldn't have survived without him. He's been a lifesaver… We've been making gourmet food for each other every day." Jarett cannot hear it as good news: "There's been several times that you've been off fentanyl, and then there's been several times that I haven't heard from you… And so now when I don't hear from you, all I can think is that you've overdosed even though you're off fentanyl."
  9. 09 Evan tells him how the last one happened — five days into titrating up on Suboxone when he was robbed in Mission ("a guy named Tim who literally punched me in the head" and took the Dilaudid he was tapering with), and it was another five months, and an overdose in Vancouver, before a doctor at a clinic in Salmon Arm gave him what he needed. Then the money at the end of it: "I have no money, like, I'm now, like, in debt almost the max."
  10. 10 Later, once he has met the DP Viktor properly, he asks Jarett to tell the Swede he's sorry: "I'm sick of how I just treated him."
++

s03 Mike and Evan

Mike meets Evan — "you don't got to do it alone"

  • Evan Holmes wants get through the winter without needing anyone · event Mike Brown's arrival and welcome at the trailer · turn toward reconnected to the mission's human core by Mike Brown
beats (3)
  1. 01 A truck comes up the logging road. Mike Brown and Evan Holmes have never met. Within minutes, Evan is opening up to him: "I love Jarett. He's done so much for me. You are the most important thing to Jarett. So by extension, man, that currency transfers over. You mean a lot to me, too, and I respect that. You got to heal, but I want you to know you don't got to do it alone."
  2. 02 Evan goes and gets the binder. Years before he knew Mike Brown existed — before the crew, before Jarett, in the year nobody was helping — Evan built a file on the death of Chris Brown out of the newspaper record: "I spent a lot of time reading about your brother. It was one of the first things that didn't sit right with me."
  3. 03 They gather around a camp fire, and Mike tells them how the school consumed his brother. At fifteen, home on leave, Chris ran — took the family dog and five hundred dollars and got as far as London, Ontario. When the police caught him, his parents had him charged with the theft, and the probation order put him back inside the gates. "He was 15 years old and he's told, you can't come home. You have to be at that academy until you turn into a man."
0

s04 Diorama: The Edge of the World

two figures on the tracks at the cube's edge

no vector moves in this unit

device unit · device tableau — the camera crosses the cube to the tracks; two small figures, backs to the school, unnamed on the page (beat-data references brown_chris / toppi_matthew). Nobody enters wanting, nothing perturbs. The vector move lives in the adjacent unit (e3.s03 — Mike meets Evan, stepped).

beats (1)
  1. 01 As Mike says it, the Diorama — the camera pans slowly across the cube, the black box of Robert Land, the object we've been building since the first hour. When it reaches the edge and finds the tracks, two small figures stand on them with their backs to the school. They've reached the edge of the world. We are on the outside of it, looking in.
++

s05 Around the Campfire

the string he pulled; the rabbit story; "Thank God you exist"

  • Jarett Holmes wants hold Evan and the group together after the winter · event Mike's vow across the fire — "If it wasn't for Jarett, I would never found out about my brother… that means you're my brother too" · turn the crew becomes family — Evan has more holding him than Jarett alone
beats (5)
  1. 01 For the rest of the day, Evan lays out for Mike what he found, and why he couldn't stop: "When I first found that one tax document, that was, for me, the string that I began to pull. Because up until then, it was a black box." On his anger: "Why has not one person been put in a jail cell? Why has nobody been charged? We know kids have been abused there for 40 years… People lost their lives, your brother being one of them. Why has Bowman not been dragged out of his house and put in a jail cell?"
  2. 02 Mike draws the line between influence and corruption: "If they wanted police and that disciplinary force influence in the academy, they could have had — oh, we bring police in to teach us about drills. Not, we've got the head of investigations on our board of directors. That's where it crosses the line of influence versus control." Evan, on what the school actually taught: "I can point a gun at the back of someone's head and get them to behave however the fuck I want. They're not behaving that way out of their soul, out of love. They're behaving that way out of fear."
  3. 03 Because there are chickens wandering the camp, Mike remembers Chris's pet chicken Sylvester — then tells the rabbit story. A flea market beside their mother's porcelain-doll shop; Chris overheard the rabbits were being sold for stew, and spent his allowance week after week buying them and hiding them around the property until there were more than a dozen freed rabbits hopping around.
  4. 04 Then the cat goes missing, and the search happens again: "Scruffaluffagus. Where are you, buddy?" Mike watches Evan describe the cat sleeping on his chest: "He needs that, man. He needs a pet… I think humans have this incredible gift to bond with things. And if we can't bond with other humans or animals, we'll bond with a substance and the way that substance makes us feel."
  5. 05 Jarett, across the fire, to Mike: "Thank God you exist." Mike, to Evan: "If it's a call, if it's a text, I'm here for you. If it wasn't for Jarett, I would never found out about my brother. He's done something so big for me. I want to love him back. And that means you're my brother too."
+

s06 Fentanyl

how it started — then Evan's Bill

  • Evan Holmes ▲▲wants be more than the addict and the homeless case the press made him · event Mike Brown proposes naming the bill after him — "Evan's Bill" · turn toward named — honored by Mike Brown
beats (4)
  1. 01 As the conversation grows intimate, Evan describes how the fentanyl started — the week before he flew to Toronto for the Robert Land trip, a man on a walk handed him a pipe he didn't know was fentanyl: "I didn't realize how much pain I was in until I had the relief." Then the interview: "When I did the thing with the CBC, it spun me right out. It was like — yeah, it was a brutal week."
  2. 02 He stayed on in Vancouver to make his father's birthday, met a man in an alley off Hastings, got sick in that man's SRO, and couldn't keep water down: "I was literally on the edge of death." He never made the birthday. Louise knew something was wrong, Keegan lent her the money for a rental truck, and the two of them drove to Vancouver and found him.
  3. 03 Mike has an idea — Chandra Pasma is starting work on a bill to protect children in private residential schools, and it needs a name: "I think we should call it Evan's Bill. Oh, man. What do you think?" / "I'd be super honored, man."
  4. 04 Evan ends the segment by pleading with Jarett to keep him more involved going forward. Jarett expresses some misgivings — he just wants Evan healthy and safe — but promises to try.
0

s07 The Last True Believer

Bates will not flip — authored flat; the line not bending is the point

no vector moves in this unit

ruled · Bates will not flip — the last true believer is a red herring by design; his flat lane is the authored fact. Jarett conducts the call and Peter passes the number; the page states no want or turn for either in this unit.

beats (6)
  1. 01 True to his word, Evan and Jarett wait on a Facetime together; the third participant joins — Peter Merrick. Peter, who flipped in episode two and filed his own complaint, has a new number for the twins: BILL BATES — head boy at Robert Land, the AWOL kid on a 1985 television broadcast who came back and loved it, later director of admissions. In Episode 1 he was the single "Like" under every one of Peter's posts. He is the last true believer, and even Peter, his longtime colleague, cannot flip him.
  2. 02 Jarett calls. Bates answers. He is the strangest voice in the series — not hostile, discursive and funny, but completely sealed up. A closed book. Asked directly whether he really knew Scott Bowman, he does some mental math: "So did I really know Scott Bowman? No. Did I get to know him better than most people? Yeah… I admire the man and admire his goals, his objectives, his vision. I certainly haven't lived up to them, but I've tried." Later: "Like, I love Scott Bowman. I really do. I have no problem saying that."
  3. 03 Then, unprompted, a personal detail no writer of fiction could invent — Bowman gifted him a pair of his own pants and Bates wore them proudly for years: "After I did that tour of the five schools, he wasn't too happy with me for some reason. He took his pants back." Jarett, deadpan: "That's when it all started going south for you, man. When he took his pants back."
  4. 04 In one of his more revealing moments, Bates admits the recruit training regimen wasn't based on any clear method or established model at all, but on the iconic performance of R. Lee Ermey as Gunnery Sergeant Hartman in Stanley Kubrick's FULL METAL JACKET. (The image track will remind the audience that that character literally bullies Vincent D'Orofino's character to a violent suicide — an uncomfortable parallel with the real-life consequences of RLA recruit training.)
  5. 05 Seemingly unaware of how darkly telling the Sergeant Hartman similarity is, Bates laments that when he went back and walked through Loyalist Hall, his head boy photograph was gone off the wall — they had taken down the oldest ones to make more room. After it all, he still feels his legacy at RLA is something to be proud of.
  6. 06 By the end of the segment, the last loyalist standing is ultimately a RED HERRING. Bill Bates will not be flipping. He is a demonstration of what the institution built to last — a man whose entire sense of humanity was sacrificed at the altar of Scott Bowman's business venture.
00

s08 Diorama: The Last Man on the Roof

one figure alone on the roof of the cube

no vector moves in this unit

device unit · device tableau — one figure alone at a laptop on the cube's roof, a framed photograph of a boy in uniform beside him; the figure is unnamed on the page (beat-data references bates_bill). Nobody enters wanting, nothing perturbs.

beats (1)
  1. 01 The academy sits on top of the cube. Around the base, the full detritus of two years of investigation — paper, boxes, transcripts, corporate filings, obituaries. Up on the roof, among the miniature buildings, one figure alone at a laptop. Beside him, very small, a framed photograph of a boy in uniform.
Ahlstedt Sentencing sequence
0+

s09 The Ahlstedt Sentencing - The Stakeout

DJ back, one-man stakeout; Jarett tilts healing over punishment

  • DJ North +an RLA man finally facing sentencingout of the group since the collapse back in — a one-man stakeout
  • Jarett Holmes wants see the system deliver retribution and punishment · event watches the accused walk toward his own sentencing on DJ's stakeout footage · turn shifts toward healing over punishment
beats (4)
  1. 01 5 June 2026. St. Catharines. In Episode 2 we saw Jonathan Ahlestedt, the Robert Land gym teacher, arrested for child luring. In the months since, Stefanos has insisted on call after call that nothing will happen to him, because Niagara is Niagara. Some members of the group decide to go to the hearing anyway. 2026-06-05
  2. 02 At 8:37 in the morning, Jarett picks up a FaceTime from DJ North — who left the group when it came apart in episode two and never came back. Now he sits in a car outside the accused man's house with a phone propped on the dash, having spent the last hour running a one-man surveillance loop through the residential neighbourhood: "So I backed out of that parking lot next to the house, I looped back around through that public parking lot, came down the main road, and then back up Cherry, so they didn't know I was here anymore." / "Great work. Great work."
  3. 03 He has footage of the man walking. Jarett, at home, watching: "The arrogance, the douchiness is just coming through. It's wild." And then: "The reaction — it's like a million dollar shot." DJ: "I hope he has a good time in jail."
  4. 04 Jarett's views are changing, however — after the struggle of the last months he's beginning to feel that personal growth and healing matter more to him than criminal punishment and retribution: "I still feel like jail feels so brutal and grotesque that I feel sad that even he has to go to jail. It's hard for me to want that. Do you feel differently?" DJ does feel differently.
+

s10 The Ahlstedt Sentencing - The Courthouse

five years — the system works, once

  • Jonathan Ahlstedt −the sentencecharged, under house arrest prison — five years
  • Stefanos Karatopis ▲▲wants certain nothing will ever happen to Ahlstedt · event the sentence comes out of the courthouse sideways, from a passer-by — five years, three police escorting the family out · turn watches the system work, for once — "Perfect timing"
JH · 2026-08-20

Ahstedlt arrest also had like 30 other people arrested in Sting Operation - ie it WAS a pedophile ring throughout the area Ahlstedlt's parents being politically connected to Hudak local progcon leader

beats (5)
  1. 01 Outside the courthouse at 59 Church Street, Stefanos has set up a memorial on the step — folding chairs, a propped gravestone: "I'm putting a memorial, just the chairs and a gravestone, just to show the blood of the dead students, the dead boys of Robert Land that's on the Fraudster, George Scott Bowman, the founder and headmaster of that school. The gravestone is a good friend of mine from my time at the school. He ended up committing suicide, unfortunately, due to the stresses of the school. And they actually had him buried on the school grounds for 18 years until his sister finally got him out of there." It's David Kalls, the boy from Episode 2 — his sister came back for him after the closure and he'd be reinterred somewhere more appropriate. 2026-06-05
  2. 02 Intercutting the two centres of operation — DJ with the accused coming from house arrest, Stefanos outside the courthouse — we track Ahlstedt's journey to receive his punishment. Stefanos works the entrances; the accused now arrives with a police escort because the last appearance did not go well: "A little good looking girl pushed the door open, screaming at him, you're gonna burn in hell, Jonathan. And he's sitting there crying."
  3. 03 Then it is over, and the news comes out of the building sideways — a passer-by who happened to walk past an opening door: "I was walking out, and the entire family was being escorted out by the police. Three police escorting them. Five years." Stefanos, who has said for a year that nothing would happen: "Perfect timing."
  4. 04 He watched it from inside: "He knew he was going away. That's why he was crying. The second he got in there and sat down, he was crying in the courtroom." And the detail that stays: "The family astonishes me that they don't say anything. They don't look. Expressionless. They just stand behind him."
  5. 05 The bottom line — somebody from Robert Land Academy is going to prison. *Finally*. The first (and potentially only) time in all three episodes we see the criminal justice system do the thing it is supposed to do — and it does so for a perpetrator none of our survivors ever met. Played as a Red Herring — the bittersweet irony of a justice system finally working for *someone*, just not for our main characters. Nothing about a 2026 luring charge touches forty years of what happened to them.
0+

s11 Staying Alive for Snuffles

the winter was worse than he said — he stayed for the cat

  • Evan Holmes wants keep the winter's real severity to himself · event he admits he would have died out there, if not for the cat needing him · turn toward naming the thing that's keeping him alive
beats (1)
  1. 01 Jarett video-calls Evan to share the updates. Evan reflects on the winter — which, despite his assurances, was more difficult than he'd imagined. He says he would have died out there, but if he did there would've been nobody else to look after his cat Snuffaluffagus. Mike Brown's wisdom rings true — Evan's caretaker instinct is keeping him alive.
+

s12 Ian's Overdue Moment in the Spotlight

the method, the man — the list passes one hundred

  • Ian Longfield ▼▼wants keep the count accurate, whatever it costs him · event the list passes one hundred; seventeen hours later his own friend David Johnstone becomes number 101 · turn tells the group he's starting to feel like the grim reaper
beats (5)
  1. 01 The call with Evan gives Jarett the idea to check in with another of the longest-tenured collaborators. He has been talking to Ian Longfield every day for two years, and the relationship remains almost entirely text-based — the audience's relationship with him too. His actuarial efforts have landed some of the hardest facts in the series, almost always from off-screen. We do not know the man. So Jarett goes to see him, alone.
  2. 02 Ian works in a laboratory. We watch his real day job, then the job we know him for — at his computer, master list of alumni open, typing names into a search bar, an inactive account here, an obituary there, a yearbook photograph to confirm the face. The method — the labour that produced the devastating numbers of the mortality report.
  3. 03 His dog died during the investigation; its ashes are on the mantelpiece. Then we meet his new dog — a bridge between him and Evan, the need to care for something that returns unconditional love. Ian does not take compliments — told he is the most consistent person in this investigation and was doing it before anyone else showed up, he says "thanks, man," and changes the subject. His character is all in the demure refusal.
  4. 04 The count is at 99 former students suffering early death at the time. Number 100 arrives; his name is Jason Fahey. Number 101 comes up seventeen hours later — David Johnstone, who was Ian's own friend. The night the list passes a hundred he texts the group, and the text goes on screen: "I'm starting to feel like the grim reaper. Everyday I reach out to people to tell them their friends are dead." / "That's a disturbing list. 100 different stories." / "100 missed opportunities for RLA to help."
  5. 05 Up to this point the list has run backwards exactly once, when a man on it turned out to be alive. Ian corrected it publicly and apologised. But the list is about to run backwards one more time.
+

s13 The Irrepressable Jessica Starr

the list runs backwards — Jessica lives

  • Ian Longfield wants still hoping one of the missing turns out alive, not another name · event turns up an email address for Jesse Estrella after years of nothing · turn hands Jarett a real chance at finding someone who isn't dead
  • Jessica Starr +being found under the name she lives in by Ian Longfield, Jarett Holmespresumed among the dead alive — more herself than ever
  • Jarett Holmes wants find the friends the count keeps marking dead · event Jessica Starr appears alive on the screen · turn hope — fuel for one last assault on the tormentors by Jessica Starr
beats (4)
  1. 01 One former student Jarett has desperately wanted to find — Jessie Estrella, one of the twins' best friends at the Academy. Like so many of the dead, the trail goes cold after a series of cryptic, hopeless Facebook posts; the assumption has been that Estrella is among the dead. But Ian has a surprise — after all this time, an email address. No false hope, just the possibility of some sort of closure.
  2. 02 Jarett emails and is thrilled to get a response. Estrella lives! On the FaceTime it becomes apparent why they could never find Jessie Estrella — Jessie Estrella is no more. The person Jarett video conferences with is Jessica Starr, a 40 year old trans woman. The reunion is a roller coaster of emotional catharsis.
  3. 03 The call: JARETT: "No way." JESSICA: "This is incredible." JARETT: "No wonder I couldn't find you. I love you. This is crazy." / "For you to pop up on the screen and to be Jessica Starr is like, it's so fucking apropos of everything. Like, I'm like, hope is alive, let's fucking go. Like, not only are you alive, like, you're more you than you've been for a second." JESSICA: "No, no, I haven't made it. […] I don't think there's ever making it, you know what I mean?" / "Thanks for finding me, bro." JARETT: "Thanks for being alive, bro. I was convinced you weren't here anymore because your last post sounded exactly like the other ones where those people have died." JESSICA: "And if there was two people I remember the most out of that place, it's you. It's you and your brother. […] Well, yeah, and I'm still a punk rocker. Like, don't let any of this Barbie doll fool you."
  4. 04 This call means everything to Jarett. Jessica gives him, and us, the hope we need to mount one last assault on the tormentors of Robert Land Academy.
++

s14 Midpoint – Assembling the Mission sequence not shot

the band back together — Evan restored to a key role

  • Evan Holmes ▲▲wants be kept involved, not managed from a distance · event Jarett and Jesse FaceTime him and pitch him back into a key role in the investigation he started · turn toward back in the mission by Jarett Holmes, Jesse Maiman
  • Ian Longfield wants whatever the mission needs next, already in · event the group calls to ask him to stand vigil at the accused's doors one more time · turn says yes before the question is even finished
beats (4)
  1. 01 The final turn into the last act of the series. There's only one thing left to do — ask the accused for their side of the story. Without that, the story of Robert Land cannot ever truly be complete. We are going to ask for it in person, at their houses, and show what happens whether they answer the door or not. Which means going back to Niagara — and asking Evan to open himself up to the traumatic past one last time.
  2. 02 Jarett and Jesse Maiman FaceTime Evan together and pitch him — not just on the trip, but on returning to play a key role in the investigation that he started.
  3. 03 Then the growing crew calls Ian, who says yes before the question finishes. Then they all call Peter Merrick, the one person who might actually get the former staff of Robert Land to answer the doorbell.
  4. 04 The engine of this last act is the oldest one there is — get the band back together for one more job. But the job isn't a heist. The ask, made four times to four men, is to get back together one last time and stand vigil in peaceful protest. After all, they haven't frozen their asses off standing together in a while.
++

s15 The Heartbeat partly not shot

the one kind adult, found — the flip-book kept 25 years

  • Shauna Jacques +the brothers finding the name she kept findable on purpose by Jarett Holmesout of the record, waiting to be found back in the brothers' story
  • Jarett Holmes wants find Shauna — the friend both brothers urgently need to be alive · event someone sends a Facebook page, and there she is — "That's why I made it like that, so that people could find me" · turn Ian's method for finding the dead runs in reverse — it finds someone living
beats (4)
  1. 01 Before the road trip, one last person from the RLA staff Jarett wants to see on his own — SHAUNA JACQUES, who taught art at Robert Land for two years in the 1990s. She is the one adult in the entire forty-year record who was kind, and the school got rid of her for it. 1990s
  2. 02 Both brothers have been looking for her using Ian's method — the method for finding the dead, run on someone they urgently needed to be alive. Evan has been Googling the wrong surname for years: "We were like, Jax. You know, friends. We knew it was friends." Then somebody sends Jarett a Facebook page, and there she is. "Wow, it's amazing to see you. This is crazy. My brother and I have been looking for you…" And Shauna, who has kept her name spelled that way on purpose: "That's why I made it like that, so that people could find me."
  3. 03 She still has a flip-book Jarett made in her class twenty-five years ago: "It's like this little cowboy, and he's standing there, and he's got his cowboy hat on and his chaps, and it's just a flip book."
  4. 04 Jarett goes to see her in person on the way into Niagara, alone, before the others arrive. A real conversation, no big documentary crew energy. It is the last quiet the episode gets.
Niagara Run sequence
0

s16 Laying Eyes on Bowman not shot

the myth deflates — an old man in dirty sweatpants

  • Scott Bowman ▼▼wants stay the all-powerful myth, built by accumulation, seen only at a distance · event the survivors find him — an old man in dirty sweatpants outside a shitty house, a leased CRV in the driveway · turn collapses to prosaic, pedestrian, pathetic — the saddest, most pathetic little child-abusing business imaginable, a hundred and thirty dead
beats (3)
  1. 01 The single image this hour is built to arrive at. For two and a half hours the Founder has gotten bigger and bigger in the minds of audience and alumni — the fake rank, the fake service record, the knighthood, the shell corporations, the police on the board, the premiers and the chiefs, the son with seventy-five companies. By the middle of Episode 2 he is part of a global, secretive, well-connected machine — built in the audience's head exactly the way he was built in the survivors' heads: by accumulation, at a distance. Episode 3 walks back down the other side of that ascent, one rung at a time, until it is standing on a residential street in Grimsby, Ontario.
  2. 02 An ordinary house. A *shitty* house. A leased CRV in the driveway. An old man in dirty sweatpants coming out to get a coffee. Not a Bond villain — an everyday man who sold his soul trying to gain the world and ended up with nothing; a man who would've done anything to be successful except attempt basic decency. An evil that is prosaic, pedestrian, and ultimately pathetic. It was never a global conspiracy — it was the saddest, most pathetic little child-abusing business you could imagine. And a hundred and thirty of them are dead.
  3. 03 Seeing him alive when so many have died because of him makes us sick, but we are strangely empathetic to the sickly old man. So it goes. Time makes fools of us all.
0

s17 Peter Attempts Contact not shot

the doorbell — what the system's failure reduced them to

  • Peter Merrick wants use what's left of his standing with Bowman for something that matters now · event the crew decides someone has to ring the founder's own doorbell, and if the man will talk to anybody, it's Peter · turn agrees to be the one who rings it
beats (3)
  1. 01 We can't leave it here — we've come all this way for comment. Jarett, Evan, Peter Merrick, and Ian Longfield decide to ring the doorbell. The plan is for Peter to ring, because if the man is going to talk to anybody, it is Peter.
  2. 02 Jarett muses on the absurdity on camera before it happens — a man of forty-one about to ding-dong ditch a man who spent his forties dressing up as a Colonel and tormenting him. This is what the failure of the criminal justice system has reduced them to. A gallows humor on a level nothing else in the series quite reached.
  3. 03 A question to have on camera — whether doing this while pursuing criminal charges affects your credibility. The answer is a journalistic one — seeking comment from the subject of an allegation is good practice, even if it queers the legal proceedings still in question. We cannot conclude the series without asking the engineer and architect of Robert Land Academy if he has anything to say for himself. From here, we don't know what might occur, but this is where it'll sit in structure.
00

s18 The Home Visits sequence not shot

small men in small houses — evidence over, seeing begins

no vector moves in this unit

recorded elsewhere · small men in small houses — Ladder point alt 2.2 sits here; the unit's motion is the myth collapsing to house-call scale. The page's one turn is collective and key-less: "Now our crew knows it" — Niagara re-read, the blue-van threat's coda — written of "the survivors" / "our crew", attributable to no character key, so no step can attach. All three beats carry Jesse's not-yet-shot note.

beats (3)
  1. 01 The road movie continues — the last third of the episode. Emboldened by Grimsby, the survivors try the houses of other RLA tormentors. They try Paul Zahra's. They stake out the youth detention centre where another former staff member works now. They speak to the neighbors of Lt. Giovannini — the investigation has, without planning it, become friends with the man's next-door neighbour — and hear how the man who broke Noah Niznick's legs continues to be a terror to this day.
  2. 02 Not a single document on screen in this passage. The time for evidence is over; what the audience still needs to see is who these men have become — small men in small houses, petty tyrants punching the clock and hauling out the recycling, the same as the rest of us. Men who tortured kids to feel big and strong, reduced to a life of monotony and grind. Peter has said all along these men were kings of a private fiefdom — men with sad lives who took their frustration out on children at an age when most were barely adults themselves. That is the answer to the question the series has been asking for three hours — what was this place really? Delivered through the "No comments" of broken men.
  3. 03 Niagara is played differently this time. Previously cold, unreadable, frightening — a place the crew blundered into and got outflanked. Now the crew knows it: a small town, insular, inward-looking, a lot of people related to each other. The coda to the line the man in the blue van gave them in episode one as a threat — "It's a small town. Everybody knows everybody around here." He was telling the truth. He just thought it was on his side.

s19 Act 3 – "There is not a lot of asset value here."

the estate is empty; Ness blocked; LeFave made inspector

  • Matthew LeFave wants settlements negotiated for the men he represents — avoid court · event not one statement of defence ever filed, and now the insurers have stopped responding to him · turn the thing he has spent two years avoiding is the only thing left — he has to go to court
  • Bruce Ness −Jarett's on-record objection by Jarett Holmesold boy reaching for oversight of the estate named complicit, on the record
  • Jarett Holmes wants the forty-year paper record preserved under untainted oversight · event Bruce Ness — cook for twenty-nine years, complicit in the shrouding — volunteers as inspector of the estate · turn objects on the record, and the estate's oversight becomes contested ground
  • Matthew LeFave wants keep oversight of the bankrupt estate out of a complicit insider's hands · event he votes the claimant proxy bloc against Bruce Ness and is appointed inspector himself · turn inspector of an estate the trustee has already said has no asset value — a title with nothing behind it
beats (6)
  1. 01 After the emotional catharsis of confronting the tormentors, the final act returns to accountability — and every door opens onto a wall. MATTHEW LEFAVE, at the edge of this story since episode one, now represents something like a hundred and fifty men, and has spent two years being asked criminal-law questions he is not qualified to answer by clients who assume a lawyer is a lawyer is a lawyer.
  2. 02 By spring 2025 the record holds more than eighty statements of claim against the school across forty years. Not one statement of defence has ever been filed against any of them. And now the insurers have stopped responding, which means the thing he has been trying to avoid for two years is the only thing left — rather than negotiating settlements, he has to go to court. 2025
  3. 03 This brings everyone — roughly a hundred and fifty people including former staff, parents, hydro, the food supplier, and eighty-plus abuse claimants, most appearing as initials under anonymisation orders — to a Zoom call with the trustees. The trustee sets the table: Robert Land Academy is bankrupt. "There is not a lot of asset value here, and there's a very large dollar value of claims asserted to date." He tells the men who spent years getting to this moment exactly what their claims are likely to be worth: "Recoveries are uncertain and I wouldn't bank on them. I wouldn't go borrow money on the prospect of recovery." 2025
  4. 04 The forty-year paper record sits in the building under twenty-four-hour security, guarded by a former employee who lives on site: "There's somewhere around 500 to 700 bankers boxes of records for the 40 years the schools operated." The cost of scanning them for litigation is "north of $200,000." Jarett does the arithmetic out loud. There is no money to do it. So they stay in the building, in paper, unread.
  5. 05 The meeting comes to the appointment of inspectors — the creditors' own oversight of the estate — and BRUCE NESS puts his hand up. Ness cooked at Robert Land Academy for twenty-nine years, and was a student there before that: "Yes, I'd be happy to be an inspector." Jarett immediately objects on the record: "I object to Mr. Ness being an inspector. He's been a former student and one of the longest running employees of this institution. And this is an institution in which its employees shrouded the abuse from the parents and the victims of the abuse. Mr. Ness is complicit as a result of this."
  6. 06 Matthew LeFave, holding the proxies of every claimant in the room, votes the bloc. Ness is out. Instead, LeFave himself is appointed the inspector of the estate of Robert Land Academy. The quest for remuneration will continue, but will never resolve to the satisfaction of the claimants.
+

s20 CLIMAX — The Search for an Untainted Jurisdiction sequence

the file escapes force after force — Peel commits on tape

  • Jarett Holmes wants a police service without a Robert Land conflict inside it · event York's answer to the conflict he flagged himself — "we can have this transferred… if that's what you want to do" · turn the choice handed back to the complainant is its own answer — the third service must be found
  • Stefanos Karatopis wants wants the criminal complaint to land somewhere untainted · event York, the second force handed the file, turns out to carry a bigger conflict than Niagara — active-duty officers who sat on RLA's board, cadets who ran security at police events · turn proven right about conflict of interest again — and the file still hasn't landed clean
  • Andrew English wants keep faith in the police process, don't rock the boat · event Jarett raises the York officer's Robert Land connection anyway, over Andrew's objection · turn they fight about it over email — at odds with the group's harder line
  • Acting Detective Justin Wall +three years of the survivors' evidence landing on his desk by Jarett Holmesthe third service to receive the file committed on tape — the assaults will be investigated
  • Jarett Holmes ▲▲wants get one police service to actually commit · event Detective Wall, the third service to receive the file, commits on tape — "that will be investigated for sure" · turn asks the season's culpability question directly to a police officer
beats (10)
  1. 01 One final pathway for accountability — the criminal claims made to the Niagara police before the Queen's Park press conference. But the complaints keep escaping the police forces that receive them. Niagara Regional immediately had to give the file up — a detective told Jarett so in as many words: "There are conflict of interest rules in Ontario and they were no longer eligible to investigate the allegations. So it was shipped out to our office to take over the investigation." The office that took it over is York.
  2. 02 Jarett flags the next conflict himself — by now he knows the map better than they do — a serving York officer with a Robert Land connection. He relays the response afterwards, still not quite believing the register: "Well, I mean, I know Beth. And it's like, well, you can — we can have this transferred to another agency if that's what you want to do." The choice is handed back to the complainant. Which is its own answer.
  3. 03 Stefanos has been on the "conflict of interest" beat from the beginning — he warned the first force that their own marching band played for RLA events and that RLA cadets ran security at their police events: "So she knew York is in conflict. So if they're claiming they're in a conflict, York's been a fucking bigger conflict, because they got active duty that sat on the board. Never mind the marching band."
  4. 04 Andrew English does not want the boat rocked — he is still earnestly trying to keep the police on side, believing in the better angels of the department. Jarett raises it anyway. They fight about it over email.
  5. 05 The result: the file moves a third time. Peel takes it over — and the announcement brings even more people out of the woodwork, the way every public step in this story has, all the way back to a one-star Google review in Episode 1.
  6. 06 31 March 2026. A Webex window. Acting Detective Justin Wall of the Peel Regional Police Special Victims Unit, badge 3412, and his partner Detective Constable Brar interview Jarett — his third interview, from a third unique police service. "Obviously we've taken over the investigation in regards to Robert Land." Jarett gets his notes up and says what three years of this has cost: "This is the third time, as you know now, that I'm doing this, and each time I think, because it's been a while, it'll be less anxiety-inducing than it is. It's always a surprise to me that it's really activating." / "I understand your frustration that you've had to talk to us three times now." 2026-03-31
  7. 07 And then he does what he has been doing since the start — bringing the structure and shape of a child abuse factory to the attention of the authorities. The staff pyramid, the churn rate, the one-to-three-year majority, the handful who stayed thirty years and became the culture; the art teacher's firing; the boy whose legs were broken; the corruption and conflict of interest on the board. "You're saying they couldn't let you leave, and the cops were on the board of directors. What do you call this if not forcible confinement?"
  8. 08 Wall does not deflect: "I can't even believe what you guys have been through. So whatever the forcible confinement, when it comes to that, we might not be able to lay those charges. But whatever the assault charges are pertaining to what you guys have told us — that will be investigated for sure."
  9. 09 Then Jarett asks the key question, the one so much of the show has been leading towards, directly to a police officer: "There's one person that's the culpable person here… If Scott didn't hit me, you know, can you charge him? But what do you do when this is the architect, and the system is abuse?" Nobody answers that. What Wall gives him instead is the only honest thing available: "This is a statement that would, if charges get laid, would be used in court… I do look forward to speaking with you over the next — it's probably going to be the next few months, as we're really digging into this." Asked when: "I don't want to give you any timeline right now, because there's a lot going on now."
  10. 10 This is where the season's outcome lives. By airtime, one of two things will have happened: charges will have been brought, or a third police service will have decided not to bring them. We do not know which. We've seen the police deflect justice before — in March 1998 the detective leading the investigation into two dead boys on the train tracks had a son at the academy, and those deaths were chalked up to "teen misadventure." Twenty-seven years later, the same institutions may well find that "teen misadventure" is still all there is to say about Robert Land Academy. The difference is that this time we're holding cameras.
0+

s21 Mike Maislin partly not shot

the machine explained calmly, on the record

  • Mike Maislin +Peel taking over the investigationmemorabilia keeper at a distance explaining the machine, on the record
beats (3)
  1. 01 We return to Mike Maislin, the one time finance chair of the board introduced with his memorabilia in Episode 2. He surfaces again here, one of the people who come out of the woodwork after Peel takes over. Not a survivor in the way the others are — a man who was close to the institution, understood how it actually worked, made money in the world, and will now tell you the truth about it in a slightly bored voice from a patio in Mallorca.
  2. 02 He becomes the key to our final understanding of the place — not through documents, but through somebody explaining, without drama, what kind of business it was: insurance, liability, who gets fired and who gets kept, and why. "If I was in advising you, the school's responsible for that. I would say we have to call our insurance and pay liability for this… and they would have to fire that person and relieve that person from duty."
  3. 03 Jarett asks him who is responsible for all of it. We believe that the answer will be one name.
++

s22 The Others

the montage of the uncounted; Ric's last word

  • Ric Patterson wants still carrying what the school made him · event the investigation surfaces and settles something in him — the last word among the others · turn toward art school, a book — a life of making
beats (3)
  1. 01 Homage to the others — the ones who appear briefly or not at all, whose full story cannot be told, who have been there the whole time. They gave interviews, sent files, answered messages at midnight. Most will never get a through-line. So they get a montage, and a run of names on screen — a supercut that is nothing but Canadianisms, bringing humor, humanity, and authenticity to the vibrant and sometimes whacky cast this story has relied on.
  2. 02 One of them gets a last word. RIC PATTERSON went into foster care at nine, went to Robert Land, and spent the eleven years after it acquiring a long rap sheet of assaults: "I feel like I went to Robert Land and they desensitized me and taught me how to hurt people." He has been married seventeen years. He works on himself daily and says so without embarrassment.
  3. 03 What he wants out of all this is not justice. He has thought about it, and he has landed somewhere else entirely: "I'm gonna go to art school and learn how to paint. And I'm gonna write a book, and I'm gonna lean on you to help me get it published when it's finished."
++

s23 The Ending sequence partly not shot

the field at golden hour; fifty in reflection; the anthem

  • Andrew English ▲▲wants united with Peter in trauma and grief, still carrying it · event they reenact British Bulldog together, badly, on the same ground at golden hour · turn the wound heals in front of the camera by Peter Merrick
  • Peter Merrick wants close the distance with Andrew, the boy he once watched get the worst of it · event reenacting British Bulldog together on the same field, at golden hour, badly · turn the wound heals in front of the camera by Andrew English
  • Ian Longfield ▲▲wants to do the thing he's wanted for years — the school genuinely gone · event stands on the parade square of a dead school with a guitar and a stack of amps · turn plays the national anthem where Robert Land Academy used to be
JH · 2026-08-20

This final Andrew line goes into the happy field scene at the end of episode 3. Andrew, closing it: "It's closed. This field will not shed blood again. Never."

beats (4)
  1. 01 Four movements, and they run into each other. A car sequence — Andrew English, Peter Merrick and Mike Brown in a vehicle, Jarett filming from the front seat, during the Queen's Park era. An enemy and two survivors, talking honestly and tenderly about things none of them would say to a camera pointed at them. Somebody offers Andrew an apple. He takes it.
  2. 02 The field. Golden hour on the back forty behind the barracks — the same ground where the January 1981 game of British Bulldog in Episode 2 ended with Andrew's suicide attempt. Andrew and Peter, now friends, united in their trauma and grief, reenact it, badly, in the long light. Like a therapy exercise, the tension leaves their 50 year old bodies as the wounds of the past heal in front of our eyes.
  3. 03 Then, at the end, everybody in front of the Academy — which is not the Academy any more. Not eight men standing in for the whole movement; fifty of them standing in quiet reflection — students, crew, a production sound mixer, a boom operator, camera assistants. All of us.
  4. 04 And Ian Longfield, who has wanted to do this for years, playing the Canadian national anthem on an electric guitar on the parade square of a dead school, with a stack of amps.
++

s24 The Final Diorama Sequence: The Cube Comes Apart

the cube carried to the river; the graveyard becomes a garden

  • Evan Holmes ▲▲wants put the investigation, and the school, down for good · event he carries his piece of the cube to the river, over his own voiceover on rejoining the stream of life · turn toward reintegration — giving his soul back to the stream of life
  • Danbi Cho ▲▲wants the cycle broken, not just fought · event his children play free in Jarett's garden while his own voice carries the closing VO on breaking the generational cycle · turn the cycle broken, on screen — the season's last image
beats (3)
  1. 01 The first time the audience saw the black box, it filled the entire frame. Now the men and the boys they used to be carry black triangles of it down to a snowy river, side by side, like leafcutter ants. The one at the front has already thrown his in. Not all the boys make the walk — the ones who died are suspended in the cube. Over the descent, Evan's voice — the man who started it all — on what the movement meant: "That's when we can begin to take steps to rejoin that world and to give our soul back to the stream of life. And life wants that, and it needs our soul to rejoin it."
  2. 02 Where the cube stood, a graveyard for RLA's countless dead. As we watch, it becomes a garden in spring. The camera pulls back — among the blooming flowers, all the graves, a hundred and thirty of them, with the death rituals of a dozen cultures arranged around them, dense and green and Renaissance in its crowding.
  3. 03 Then the film leaves the model and finds the same garden at full size, in real life. Jarett's garden, the height of summer. The camera runs low through the rows at a child's height and a child's speed. Danbi's children are playing among Jarett's tomato plants. Over the images, Danbi talks about breaking the generational trauma. Back in the diorama garden — Jarett in his own garden, tending tomatoes, saying nothing. The children run through the plants, hope for a better future.
++

s25 Epilogue — Mallorca not shot

Aperol in the sun — "he's going to check it out"

  • Ric Patterson wants to know if a life different from the one Robert Land set him on is real · event fade up on Mallorca — Ric on a patio with Maislin, Aperol Spritzes in the Mediterranean sun, in his Oakleys, somewhere he's never been · turn toward proof the want is livable, not just spoken
  • Ric Patterson wants to answer whether the art-school want is real or just something he says · event asked point blank if he's actually going to paint, he says he doesn't know · turn toward checking it out — undecided, but moving
beats (2)
  1. 01 Fade up on a patio in Mallorca. Mike Maislin, who lives here, and Ric Patterson, who does not, drink Aperol Spritzes in the Mediterrean sun. Ric wears his Oakleys, looking like a man who has never been anywhere like this in his life, which he hasn't.
  2. 02 Somebody off camera asks him whether he is actually going to paint. He says he doesn't know. But he's going to check it out. END OF SERIES.